This is an engrossing crime investigation film with an unusual format that extensively utilises flashbacks. The flashbacks are seamlessly integrated into the story and soon the audience is almost unaware of the switching back and forth.
The main storyline, focusing on the investigation of detective Brunel, is intriguing with the feel of a European gangster film. This is contrasted with the flashbacks to Morlar, many of which have a different, more English tone. Especially interesting are the flashbacks to Morlar's earlier life: the vignettes involving his parents, his school days, his work as a barrister and a domestic argument between his neighbours in London are excellent. The flashbacks, especially some of those to Doctor Zonfeld and the publisher, Townley, are integrated into the main storyline in an ingenious manner.
The last part of the film moves away from police intrigue to telekinesis thriller. While the change from gritty police drama to supernatural fantasy is a little jarring the audience is soon gripped by the new threat and goes along for the ride.
The cast is excellent. Richard Burton seems chillingly restrained. Lino Ventura is the perfect choice as a world weary detective who essentially carries the main story - it is too bad they chose to overdub his voice with that of another actor as this seems quite distracting. Lee Remick as Doctor Zonfeld and Harry Andrews are also very effective in their roles. The cast is made up of many recognisable actors in cameos who are all extremely interesting and effective.
The main storyline, focusing on the investigation of detective Brunel, is intriguing with the feel of a European gangster film. This is contrasted with the flashbacks to Morlar, many of which have a different, more English tone. Especially interesting are the flashbacks to Morlar's earlier life: the vignettes involving his parents, his school days, his work as a barrister and a domestic argument between his neighbours in London are excellent. The flashbacks, especially some of those to Doctor Zonfeld and the publisher, Townley, are integrated into the main storyline in an ingenious manner.
The last part of the film moves away from police intrigue to telekinesis thriller. While the change from gritty police drama to supernatural fantasy is a little jarring the audience is soon gripped by the new threat and goes along for the ride.
The cast is excellent. Richard Burton seems chillingly restrained. Lino Ventura is the perfect choice as a world weary detective who essentially carries the main story - it is too bad they chose to overdub his voice with that of another actor as this seems quite distracting. Lee Remick as Doctor Zonfeld and Harry Andrews are also very effective in their roles. The cast is made up of many recognisable actors in cameos who are all extremely interesting and effective.