Stromboli (1950)
7/10
Ingrid Bergman in Rossellini's Stromboli
31 August 2012
Warning: Spoilers
I had heard mixed reviews of this and, being a die-hard Ingrid Bergman fan for years, I wanted to see everything of hers I could get my hands on. Directed by husband Roberto Rossellini, this film has Ingrid Bergman getting married to an Italian, of whom at first she turned down, but at last relented, when authorities questioned her as to how she came into Italy. During the German occupation of Yugoslavia, her husband was killed in the war and she made her way there somehow, but now she must leave. So she's off to the Italian's home island of Stromboli, which is the locale of an active volcano. Immediately, she is restless and very unhappy, despite the fact her husband is very nice looking and some women would give anything to be on an island with him. But that they might say is neither here nor there. She tries finally to change her perspective and pretty up the place and make herself more pretty with makeup and have a more positive outlook on life, as she had felt stifled and depressed on this small, lifeless remote island. But the local married women look down on women who wear cake on their faces, and call her immodest to her face. She keeps asking what she's done that is really wrong. She put away the pictures of old people that her husband had up, because they were depressing and painted a design on the walls to spice up the place, but when she is seen talking and smiling with another man by the locals and talk ensues, her husband slaps her around and says enough is enough. The place goes back the way it was. The ultimate denouement of the film is, will she leave her husband to be free of the restrictive life she has there or will she find peace? I couldn't tell you, as the ending is ambiguous. She is last seen trying to leave by way of the volcano, but is overcome by the smoke. She prays to be saved. But what does she mean? What is implied? Some ambiguous endings work, but in this case, I didn't feel it did. Throughout the film, I was entertained by the film but aware of its flaws. I felt like it was a poor man's version of "The Old Man and the Sea," as we are shown the life of her husband and his kin's way of life as fishermen. The fishing footage was very interesting to watch despite the fact Ingrid wasn't moved by being part of his life. She really made herself miserable. It's all in how you look at it. She may have wished for more and a better place in the world. But does she really belong to him and this world now? Should she reconcile herself to this? I am the type of person that loves films that show a lot of the ocean, so that plus Ingrid Bergman made this worth watching. But that ambiguous ending was a little disappointing to me. I would have preferred one ending or the other. Or, maybe she dies? But I don't think so. All in all, I think a Bergman and/or Rossellini fan would enjoy this film, flaws and all. But Ingrid Bergman is beautiful as usual. Sit back with Ingrid by the sea in Stromboli!
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