If you're looking for first-class or even second-class acting, this is not your movie. However, if you're familiar with and like other Allied Artists B-movie horror entries circa 1960, this one fits the bill. It's somewhat like a Beatnik version of the tell-tale heart.
Tom is a rising jazz pianist about to marry a girl from a prominent family. Unfortunately his ex-lover, buxom nightclub singer Vi, refuses to let go and threatens to show Tom's fianceé the letters he wrote her. Tom is afraid of exposure - I suppose his sheltered fiancé would be shocked! shocked I say! to find out that a 35 year old man is not a virgin! Vi leans against the railing of the old lighthouse they are arguing in and the railing breaks. Tom has a few seconds to save her as she clings to the railing screaming for help. However Tom was against saving her before he was for it and he lets her drop to her death. Now technically he has done nothing wrong - she did fall on her own - and if he went to the police now and said she fell he might get away with it. But he just walks away, leaves the lighthouse, leaves the body in the sea, and figures nobody will ever know... but his conscience knows.
So suddenly what should be a happy time in his life is filled with visions of his dead lover. Sometimes it's her hand trying on his fiancée's engagement ring, sometimes it's her head rebuking him, sometimes it's her whole body in a ghostly apparition popping up in engagement party photographs. However, only he sees these things - for awhile. As someone else said, at first you can somewhat sympathize with Tom, but as Vi's "head" predicts, he goes from bad to worse to cover up his crime, until at the end he is contemplating the most horrific act imaginable.
The acting here, except for Richard Carlson as Tom and Juli Redding as Vi, is so wooden you could build a bonfire out of the performances, but it all just fits in so well to the spartan Allied Artists early 60's horror atmosphere that I didn't mind. Even Ms. Redding has some weird Marilyn Monroe vibe going, but it's all part of the fun. The really weird part is the large section of the film dedicated to Tom's future sister-in-law - all of nine - doing her prepubescent best to win Tom away from her sister.
If you like films like "The Hypnotic Eye" and "Macabre" give this one a try, just realize it's much more camp and cheese than horror.
Tom is a rising jazz pianist about to marry a girl from a prominent family. Unfortunately his ex-lover, buxom nightclub singer Vi, refuses to let go and threatens to show Tom's fianceé the letters he wrote her. Tom is afraid of exposure - I suppose his sheltered fiancé would be shocked! shocked I say! to find out that a 35 year old man is not a virgin! Vi leans against the railing of the old lighthouse they are arguing in and the railing breaks. Tom has a few seconds to save her as she clings to the railing screaming for help. However Tom was against saving her before he was for it and he lets her drop to her death. Now technically he has done nothing wrong - she did fall on her own - and if he went to the police now and said she fell he might get away with it. But he just walks away, leaves the lighthouse, leaves the body in the sea, and figures nobody will ever know... but his conscience knows.
So suddenly what should be a happy time in his life is filled with visions of his dead lover. Sometimes it's her hand trying on his fiancée's engagement ring, sometimes it's her head rebuking him, sometimes it's her whole body in a ghostly apparition popping up in engagement party photographs. However, only he sees these things - for awhile. As someone else said, at first you can somewhat sympathize with Tom, but as Vi's "head" predicts, he goes from bad to worse to cover up his crime, until at the end he is contemplating the most horrific act imaginable.
The acting here, except for Richard Carlson as Tom and Juli Redding as Vi, is so wooden you could build a bonfire out of the performances, but it all just fits in so well to the spartan Allied Artists early 60's horror atmosphere that I didn't mind. Even Ms. Redding has some weird Marilyn Monroe vibe going, but it's all part of the fun. The really weird part is the large section of the film dedicated to Tom's future sister-in-law - all of nine - doing her prepubescent best to win Tom away from her sister.
If you like films like "The Hypnotic Eye" and "Macabre" give this one a try, just realize it's much more camp and cheese than horror.