The conceit of this odd little film is that to experience family love the late-middle-aged American man must return whence he found it -- to Italy of course!
The score is lovely but the sound quality execrable. The comedy hits Americans sideways but the location shots of Naples are breathtaking. (What can Florence be like?)
The storyline is all over the place but then it doesn't matter because we are spellbound by every scene where Lemmon and Mastroianni are together. Both are at the top of their form, not out of any sense of competing, but rather out of respect -- to their characters, to their director, and to each other.
Lemmon is the most restrained I've ever seen him. His tendency to be seen working is quelled, perhaps, by Mastroianni's generous willingness to cede the center of the stage.
So what we have is a little movie with a somewhat pretentious theme that nevertheless, because of its idiosyncrasies and contradictions, and especially because of the performances of its leads, is well worth viewing.
The score is lovely but the sound quality execrable. The comedy hits Americans sideways but the location shots of Naples are breathtaking. (What can Florence be like?)
The storyline is all over the place but then it doesn't matter because we are spellbound by every scene where Lemmon and Mastroianni are together. Both are at the top of their form, not out of any sense of competing, but rather out of respect -- to their characters, to their director, and to each other.
Lemmon is the most restrained I've ever seen him. His tendency to be seen working is quelled, perhaps, by Mastroianni's generous willingness to cede the center of the stage.
So what we have is a little movie with a somewhat pretentious theme that nevertheless, because of its idiosyncrasies and contradictions, and especially because of the performances of its leads, is well worth viewing.