I AM a menopausal chick, and this flick does not cut it.
All this talent wasted on a completely predictable plot ["We're getting older!!!" Unhappily they're not doing that in an interesting way, either]. It was not even funny, ever, except for one line. We kept watching it, hoping it would get better. It never did. The Kevin Kline character was a believable a$$hole who we are then supposed to believe does a complete 180 because after twenty-five years his wife's nagging suddenly takes effect. Um, no.
I wished something interesting would happen: that the younger doctor would maybe refuse to return to the big city because he falls in love across class lines and is not as attached to his place of residence as his love object is attached to her small town, or that the Diane Keaton character, instead of her daughter, would run off with the young veterinarian -- stranger things have happened -- but no such luck.
All this talent wasted on a completely predictable plot ["We're getting older!!!" Unhappily they're not doing that in an interesting way, either]. It was not even funny, ever, except for one line. We kept watching it, hoping it would get better. It never did. The Kevin Kline character was a believable a$$hole who we are then supposed to believe does a complete 180 because after twenty-five years his wife's nagging suddenly takes effect. Um, no.
I wished something interesting would happen: that the younger doctor would maybe refuse to return to the big city because he falls in love across class lines and is not as attached to his place of residence as his love object is attached to her small town, or that the Diane Keaton character, instead of her daughter, would run off with the young veterinarian -- stranger things have happened -- but no such luck.