"Big Sister" is watching you! America after World War III. Apocalyptic times. The power on earth is in the hands of a faceless "Central Control". By means of their martialist troops, the "Security Control", the liberation efforts of a bold group of resistance fighters are brutally suppressed. A female humanoid alien with a message of peace arrives on earth, but ends up in the clutches of the "Security Control". But the alien is freed by the rebels. After endless struggles between the "Security Control" and the rebels, the women from space can finally journey back to her planet. Director Frank Harris, a former reporter for a television station in California, is producing amateurish action movies for the international video market since the early 80's. Usually he writes his own scripts and he often is his own DoP. He shot his first film KILL POINT in 1984, starring Leo Fong, Richard Roundtree and Cameron Mitchell. In AFTERSHOCK there are Chris Mitchum, Russ Tamblyn and John Saxon at hand, three veritable actors in low budget movies, but their presence can only make the movie interesting for some brief moments. Like so many cheap post-nuke movies, AFTERSHOCK was shot in the shadows of industrial ruins, here namely the "Kaiser Steel Plant" and the "Fontana Domtar Gypsum Paper Mill", but the aimed apocalyptic feeling never sets in. The typical ruins remain just what they are: the ordinary remnants of former industrial complexes. Obeying the stereotype of such movies (and also due to the thin checkbook of the producer) Harris added endless scenes of shootings and brawls to the completely ridiculous "story", but because of the stinginess of the producer these scenes are only look cheap. While the aforementioned performers had to be content with smaller roles (or were too expensive for leading parts), incompetent no-name actors have to stutter lots of dimwitted dialog and bore the viewer with their bland faces. By the way, more than 90 actors are listed by name in the end credits! All in all, AFTERSHOCK is a film of little entertainment value. Despite intensive research, the name of the DoP of the film who is not given credit could not be traced.
Review of Aftershock
