A one-eyed vigilante with a troubled past, a teenage rent boy and a disillusioned priest team up against a demonic, father-raping killer from hell.
With all the faux-grindhouse movies being made these days it was only a matter of time before someone got the great idea of parodying them. Father's Day, from legendary producers of low-budget trash Troma, takes all of the conventions and clichés we know and love and mercilessly exaggerates them, and in the process, actually manages to replicate the look and feel of genuine exploitation movies far better than most serious attempts at doing so.
The directors, of which there are five, have the look and feel spot on—from the fake 'recorded off late-night TV' intro, to the distressed, gaudily lit imagery (flickers, lines on the picture, hairs caught in the camera gate) and the excellent lo-fi electronic score—and the cast all do a great job (even Lloyd Kaufman is bearable).
As is the case with many a Troma movie, good taste isn't very high on the agenda, meaning that the film more than delivers the goods when it comes to offensive material: forced buggery, genital mutilation, and incest all get a look in, and there is enough nudity and splatter to satisfy even the most jaded of trash movie fans. Even though the studio's typically puerile humour is a little hit and miss, and the finale in Hell perhaps stretches things a touch too far, Father's Day is a whole lot of fun that shouldn't be missed by any self-respecting movie deviant.
7.5 out of 10, rounded up to 8 for IMDb.
With all the faux-grindhouse movies being made these days it was only a matter of time before someone got the great idea of parodying them. Father's Day, from legendary producers of low-budget trash Troma, takes all of the conventions and clichés we know and love and mercilessly exaggerates them, and in the process, actually manages to replicate the look and feel of genuine exploitation movies far better than most serious attempts at doing so.
The directors, of which there are five, have the look and feel spot on—from the fake 'recorded off late-night TV' intro, to the distressed, gaudily lit imagery (flickers, lines on the picture, hairs caught in the camera gate) and the excellent lo-fi electronic score—and the cast all do a great job (even Lloyd Kaufman is bearable).
As is the case with many a Troma movie, good taste isn't very high on the agenda, meaning that the film more than delivers the goods when it comes to offensive material: forced buggery, genital mutilation, and incest all get a look in, and there is enough nudity and splatter to satisfy even the most jaded of trash movie fans. Even though the studio's typically puerile humour is a little hit and miss, and the finale in Hell perhaps stretches things a touch too far, Father's Day is a whole lot of fun that shouldn't be missed by any self-respecting movie deviant.
7.5 out of 10, rounded up to 8 for IMDb.