The title of Raoul Walsh's film would indicate a high level of visual war action, but the action in this film is more like a television soap: Peyton Place Meets Boot Camp. Battle Cry is not a bad film by any means, but a mainstream 50's romance, and because it is Walsh, there are excellent things to be found, as long as you don't expect superior battlefield heroics; Aldo Ray and Van Heflin both turn in finely-tuned performances, Ray as a macho player evolving into a loving husband, Van Heflin as a commander who fails to maintain distance from his charges; a young Tab Hunter caught on with teens when he was cast as heartthrob Danny Forrester, and acquits himself nicely.
Three years later, Stanley Kubrick would make the stunning Paths of Glory, a WWI film that revealed the true brutality of battle, and Spielberg would change mainstream war films for all time with Saving Private Ryan; Battle Cry involves the willing viewer in an intelligent adaptation of a best-selling novel and as such, succeeds.
Three years later, Stanley Kubrick would make the stunning Paths of Glory, a WWI film that revealed the true brutality of battle, and Spielberg would change mainstream war films for all time with Saving Private Ryan; Battle Cry involves the willing viewer in an intelligent adaptation of a best-selling novel and as such, succeeds.