10/10
A stunning production by Ceylan.
17 April 2013
With the possible exception of Malick's The Tree of Life, this is the best new film I have seen for several years (after three viewings). It certainly grows on one enormously. It is a very contemplative meditation on mortality; most of the conversations concern that in one way or another. And the characters are really changed after the night's events. The film is stunning to watch, with strong echoes of the Iranian films of Kiarostami (the fruit rolling downhill, the long-shots of winding hillside roads, etc.). Echoes also of Tarkovsky (whom Ceylan admires, and has quoted in earlier films). Strongly recommended for anyone with reasonable attention-spans.
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