THE TOWER is nothing more than a modern-day remake of the Irwin Allen disaster classic THE TOWERING INFERNO, updating the storyline with modern technology and modern effects but dealing with exactly the same type of logistical intrigue and scared survivors drama. It's slightly melodramatic, as is the case with a lot of Asian cinema, but it's also highly efficient with it. It may not be up there with the best of the genre, but it's better than the comparable likes of AFTERSHOCK and THE SINKING OF JAPAN.
The narrative takes on a familiar construction with the first half hour building the characters before letting rip with a major accident, then working its way through a series of alternative disaster scenarios. Survivors are fried, dropped, blown up and put into various perilous situations, and it's all handled with more than a modicum of efficiency by director Kim Ji-hoon. It's also well paced and technically efficient, with decent CGI adding to the peril and some well-placed comic relief offsetting the more dramatic moments.
Is THE TOWER original? Not a jot. Is it as good as the original? Not by a long shot. Is it entertaining? Oh yes. It may be no classic, but as modern disaster cinema goes this is one of the better ones you'll find out there.
The narrative takes on a familiar construction with the first half hour building the characters before letting rip with a major accident, then working its way through a series of alternative disaster scenarios. Survivors are fried, dropped, blown up and put into various perilous situations, and it's all handled with more than a modicum of efficiency by director Kim Ji-hoon. It's also well paced and technically efficient, with decent CGI adding to the peril and some well-placed comic relief offsetting the more dramatic moments.
Is THE TOWER original? Not a jot. Is it as good as the original? Not by a long shot. Is it entertaining? Oh yes. It may be no classic, but as modern disaster cinema goes this is one of the better ones you'll find out there.