"Treasure Island" is one of those stories where reading the original novel beforehand is crucial to really savoring any film version, and this is especially true of this divergent adaptation. Although it retains the basic skeleton of the original plot, much has been added, and many key characters have undergone fundamental changes. I was initially hostile to said changes but soon came to appreciate and enjoy the new sub-conflicts, many of which address universal themes (e.g., greed,loyalty) which are more relevant than ever today. I didn't particularly like the way "TI" (2012) hurries through pivotal scenes from the book, yet, with all that's been added, suppose that was necessary in order to limit its already 3-hour length.
This version is also full of small anachronisms in clothing and hair design, as well as some bigger ones in the ethnically diverse ship's crew ("all Englishmen!" in the novel), some of whom sport Mr. T-style Mohawks (!?) While it seems the makers wanted to address the additional modern theme of diversity here, the un-pc truth of the matter is that your average European person of the 1700s would not have taken kindly to such a mix, and the way the crew, including its rich officers and financiers, blithely accept differences in nationality and complexions is, well, unconvincing. At the same time, there are also some added details (e.g., prostitutes, thieves, and hanged men along the filthy Bristol quayside) which, although avoided by Robert Louis Stevenson in a novel intended largely for a younger audience, add a great deal of realism in this version.
In the end, "TI" (2012) is well-filmed and well-acted despite its various weak spots. While this revision is obviously to be avoided by those rigidly attached to the original story (or just wanting to see a film version of RLS's actual book), it should appeal to audiences in search of a less dualistic, more complicated tale, created in an age that tends to appreciate anti-heroes like Long John Silver.
This version is also full of small anachronisms in clothing and hair design, as well as some bigger ones in the ethnically diverse ship's crew ("all Englishmen!" in the novel), some of whom sport Mr. T-style Mohawks (!?) While it seems the makers wanted to address the additional modern theme of diversity here, the un-pc truth of the matter is that your average European person of the 1700s would not have taken kindly to such a mix, and the way the crew, including its rich officers and financiers, blithely accept differences in nationality and complexions is, well, unconvincing. At the same time, there are also some added details (e.g., prostitutes, thieves, and hanged men along the filthy Bristol quayside) which, although avoided by Robert Louis Stevenson in a novel intended largely for a younger audience, add a great deal of realism in this version.
In the end, "TI" (2012) is well-filmed and well-acted despite its various weak spots. While this revision is obviously to be avoided by those rigidly attached to the original story (or just wanting to see a film version of RLS's actual book), it should appeal to audiences in search of a less dualistic, more complicated tale, created in an age that tends to appreciate anti-heroes like Long John Silver.