5/10
Models of Manhood.
17 June 2013
Warning: Spoilers
I understand a number of people enjoyed this but I found it long and a little boring. It's a story of family intrigue, a kind of interactional drama, in northeast Texas. Robert Mitchum is the head honcho in this small town, given to such manly pursuits as shooting animals and bedding the wives of other men. He's highly respected. Except by the men whose trust he's betrayed, one of whom offs him appropriately.

His wife is Eleanor Parker, who dislikes him, has kept her bedroom door locked, and taken over the raising of their child, George Hamilton, as tan as ever and sounding like Tony Perkins. Hamilton's bedroom is "a boy's room", with rocks, a butterfly collection, and books. BOOKS! When Hamilton is seventeen, Mitchum decides it's time to make a man out of him. He takes the young man to HIS room, filled with the apparatus of killing and adorned with the heads of dead animals he's killed. Mitchum also has an good-natured illegitimate son, George Peppard, with whom he hangs around but doesn't treat especially kindly. Peppard lives in a hut with dogs.

I can believe that this is the way life was led by a wealthy family in northeastern Texas in the 1950s, but the production values are cheap and the story sprawls and sprawls. If I wanted to see another sprawling story about a rich family in Texas, I'd watch "Giant" again. If I wanted to watch a superbly done story of a moderately wealthy Texas family, I'd go back to "Hud." The characters' conflicts are realistically portrayed. They teeter on the edge of stereotypy without quite falling into the trap. But it's hard to like much about Mitchum. His idea of being manly, aside from the hunting and fishing, is to shout his lines. He's best when he holds it back and only allows it to peep out once in a while.
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