A man (Claude Rich) is selected by a group of scientists to participate in a new experiment that involves time travel. It seemed to have worked with laboratory rats but since those can't speak they need to test with a human, in this case a man who is recovering from a failed suicide attempt after the death of his lover. As the researches claim, he's a perfect choice because he has nothing to lose. The tragic "guinea pig" thinks the same and joins the test, confining himself into a strange machine that goes back in time, although very jumpy, going back and forth without any logic, replaying facts of the man's life before his suicidal act. Most of the flashbacks revolve around the time spent with the woman he loved, good moments turned into painful memories to the subject trapped in the machine, who wakes up from time to time due to the project's malfunctions.
Alain Resnais devotes his time here in presenting who the main character was instead of focusing in the utility of a time travel projects, which reveals to be quite empty since it's very risky, actions can't be altered, everything is doubtful and flawed. It deconstructs the character through random flashbacks, completely out of order and very repetitive, almost like waking up every morning in "Groundhog Day" (instead of punching the clock alarm, the recurring scene is a happier moment of the man coming out of the sea talking about the fishes he saw there, a tender moment with his lover). Sometimes it goes forward when it's time to explain what truly happened with his woman, by the time everything gets deeply confusing and a little more frightening.
This movie's concept is great, but there isn't much gain when you don't have answers to some questions, and above all it's lack of a true purpose makes of "Je'Taime, Je'Taime" ("I Love You, I Love You") something remotely interesting, difficult to endure and more off than on. I loved the fact of this being a sci-fi movie that doesn't circulates with scientifical mambo jambo, it's more humanistic in this aspect. But in the real human level it's very brainy, exquisite, lacking in heart, passion and exceeding in small talks and distractive actions. I didn't fell anything for the couple, the fragments of what they had in common wasn't enough for me to develop any kind of feeling for them; the man, on the other hand, was a brilliant and tragic character with genuine emotions, slightly uncertain why he went ahead in joining the test, enjoying in revive the life he had but at the same time hating the awkward experience of not seeing things as they were, with clarity - the machine, the drugs taken interfere in everything, causing him some pain. We ask ourselves if we would do something like that.
Technically fascinating with its unusual editing (for the time) but a little dead inside, this is a nice film that surely leaves you thinking but not much loving and dreaming and wanting more. Would benefit of an American remake, but too bad some would see it as a clone of "Eternal Sunshine of the Spotless Mind". 6/10
Alain Resnais devotes his time here in presenting who the main character was instead of focusing in the utility of a time travel projects, which reveals to be quite empty since it's very risky, actions can't be altered, everything is doubtful and flawed. It deconstructs the character through random flashbacks, completely out of order and very repetitive, almost like waking up every morning in "Groundhog Day" (instead of punching the clock alarm, the recurring scene is a happier moment of the man coming out of the sea talking about the fishes he saw there, a tender moment with his lover). Sometimes it goes forward when it's time to explain what truly happened with his woman, by the time everything gets deeply confusing and a little more frightening.
This movie's concept is great, but there isn't much gain when you don't have answers to some questions, and above all it's lack of a true purpose makes of "Je'Taime, Je'Taime" ("I Love You, I Love You") something remotely interesting, difficult to endure and more off than on. I loved the fact of this being a sci-fi movie that doesn't circulates with scientifical mambo jambo, it's more humanistic in this aspect. But in the real human level it's very brainy, exquisite, lacking in heart, passion and exceeding in small talks and distractive actions. I didn't fell anything for the couple, the fragments of what they had in common wasn't enough for me to develop any kind of feeling for them; the man, on the other hand, was a brilliant and tragic character with genuine emotions, slightly uncertain why he went ahead in joining the test, enjoying in revive the life he had but at the same time hating the awkward experience of not seeing things as they were, with clarity - the machine, the drugs taken interfere in everything, causing him some pain. We ask ourselves if we would do something like that.
Technically fascinating with its unusual editing (for the time) but a little dead inside, this is a nice film that surely leaves you thinking but not much loving and dreaming and wanting more. Would benefit of an American remake, but too bad some would see it as a clone of "Eternal Sunshine of the Spotless Mind". 6/10