When you think actresses, the name Helen Thimig doesn't pop right up. But here for a crippled old lady she's scary as heck. And what's this with her daughter Rosemary whose portrait looks like a dolled up version of Laura (1944). Poor Sergeant Johnnie, he's back from the war all bunged up, but can't wait to meet the portrait girl who sent him such beautiful letters but has since gone missing.
Meanwhile he has to content himself with the lovely Dr. Leslie (Grey) who's got her own problems being a woman doctor in a man's profession. And finally there's poor Ivy (Barrett) who acts like a frightened bird, frightened even of herself let alone her employer Mrs. Blake (Thimig). Actually, Barrett and Thimig are alumni of the great Val Lewton's horror series, so it's not surprising that their compelling turns form the movie's gripping core.
Director Mann's noirish touches are evident throughout and perfectly suited to the dark subject matter. Something's up with Blake and daughter Rosemary, but what. That's the crux of the plot. Also, I like the way we get a feel of how the war is affecting the home front, while the obscure William Terry makes a good happy-go-lucky GI in contrast to the sinister mansion. I expect the movie remains obscure because of its sub-60-minute runtime and lowly Republic pedigree. But there's a lot of talent involved in a suspenseful story, making this a minor noirish gem.
Meanwhile he has to content himself with the lovely Dr. Leslie (Grey) who's got her own problems being a woman doctor in a man's profession. And finally there's poor Ivy (Barrett) who acts like a frightened bird, frightened even of herself let alone her employer Mrs. Blake (Thimig). Actually, Barrett and Thimig are alumni of the great Val Lewton's horror series, so it's not surprising that their compelling turns form the movie's gripping core.
Director Mann's noirish touches are evident throughout and perfectly suited to the dark subject matter. Something's up with Blake and daughter Rosemary, but what. That's the crux of the plot. Also, I like the way we get a feel of how the war is affecting the home front, while the obscure William Terry makes a good happy-go-lucky GI in contrast to the sinister mansion. I expect the movie remains obscure because of its sub-60-minute runtime and lowly Republic pedigree. But there's a lot of talent involved in a suspenseful story, making this a minor noirish gem.