I watched this film thinking it will be a "Thelma and Louise" cross "Flashdance" road movie. Why not? The poster with their face together wearing shades, and blue sky and desert in the background, what could go wrong? They seemed to had a good start, great actresses, and a new theme (belly dancing), all except their weak story.
First of all, it's about belly dance, but it appeared to filmmaker that belly dancing was nothing more than waving arms and shimmying hips, and not a very good one at that. Whatever happened to belly rolls, backbends and other symbolic techniques? If these girls are as passionate as they claimed, they should be dancing beyond beginner's level.
And then there's the character built up. Obviously Mona's story was far more interesting, and if this were a film exploring foreign marital culture in America, it would have been perfect. Unfortunately, this doesn't seem to be the director's intention, he sent two cops to merely skimmed the surface, took up many unnecessary minutes on their investigation, which reflected very little of Mona's behavior, yet didn't help the case in the big way, police matter seem to just vanished in the middle of the story.
Marilyn's character was also lame. She could afford to pay rent, feed her white trash boyfriend, and pay for belly dance classes all with a single desk job, and then she drove out to nowhere for shows that could barely cover her gas money. What kind of women keeps camp-ready equipment in the back of her trunk anyway?
The ending left both characters uncertain of their future. Mona didn't want to return to her husband, even though he's nice enough to start a new life with her, Marilyn was worse, losing everything she came for, and nothing left in her return.
Finished watching the movie left me uncertain of what the filmmaker trying to say. Did he want to tell the story of Mona and explore her culture regarding mistreatment toward feminism? If so, it would have been better if the story was focus on Mona alone, with either the policemen or Marilyn explore Mona's world.
Or, if it's about character developments, there should be more conversations at the end, to show each other's view and future planning, show what they learned from this journey, as well as what WE learn from it. The film left audience puzzled and unsatisfied.
First of all, it's about belly dance, but it appeared to filmmaker that belly dancing was nothing more than waving arms and shimmying hips, and not a very good one at that. Whatever happened to belly rolls, backbends and other symbolic techniques? If these girls are as passionate as they claimed, they should be dancing beyond beginner's level.
And then there's the character built up. Obviously Mona's story was far more interesting, and if this were a film exploring foreign marital culture in America, it would have been perfect. Unfortunately, this doesn't seem to be the director's intention, he sent two cops to merely skimmed the surface, took up many unnecessary minutes on their investigation, which reflected very little of Mona's behavior, yet didn't help the case in the big way, police matter seem to just vanished in the middle of the story.
Marilyn's character was also lame. She could afford to pay rent, feed her white trash boyfriend, and pay for belly dance classes all with a single desk job, and then she drove out to nowhere for shows that could barely cover her gas money. What kind of women keeps camp-ready equipment in the back of her trunk anyway?
The ending left both characters uncertain of their future. Mona didn't want to return to her husband, even though he's nice enough to start a new life with her, Marilyn was worse, losing everything she came for, and nothing left in her return.
Finished watching the movie left me uncertain of what the filmmaker trying to say. Did he want to tell the story of Mona and explore her culture regarding mistreatment toward feminism? If so, it would have been better if the story was focus on Mona alone, with either the policemen or Marilyn explore Mona's world.
Or, if it's about character developments, there should be more conversations at the end, to show each other's view and future planning, show what they learned from this journey, as well as what WE learn from it. The film left audience puzzled and unsatisfied.