By Jonathan L Hermitt
After watching this movie, the only thing that should be "claimed" is a refund.
Director-writer David E Talbert provided a creatively idle rom-com starring Paula Patton (Montana Moore); as a flight attendant who under the pressure of her mother (Jennifer Lawrence) and the wedding engagement of her younger sister (Lauren London) somehow finds herself in a position where she has to locate and bring a fiancé to her sister's rehearsal dinner in thirty days. In doing so, she uses her friends to set up an arguably illegal "spy network" to find out which of her ex- boyfriends are taking which flights- so she can manipulate herself aboard and hopefully start again with these men.
She wears the long, straight rom-com hair of ignorance with the smile of innocence which I like to call a ritual of rom-com. The story was naturally predictable adhering to every single rom-com textbook story model and so heavily resting on weak humour. Alongside the contemporary traditional female friend and gay male friend duo (similar to Devil's Wear Prada) it's one large equation for mediocre...if that.
I'm not particularly familiar with Talbert and this is the first film I've seen of his, regardless, in this film it's strongly indicative that he's chosen quantity over quality.
After watching this movie, the only thing that should be "claimed" is a refund.
Director-writer David E Talbert provided a creatively idle rom-com starring Paula Patton (Montana Moore); as a flight attendant who under the pressure of her mother (Jennifer Lawrence) and the wedding engagement of her younger sister (Lauren London) somehow finds herself in a position where she has to locate and bring a fiancé to her sister's rehearsal dinner in thirty days. In doing so, she uses her friends to set up an arguably illegal "spy network" to find out which of her ex- boyfriends are taking which flights- so she can manipulate herself aboard and hopefully start again with these men.
She wears the long, straight rom-com hair of ignorance with the smile of innocence which I like to call a ritual of rom-com. The story was naturally predictable adhering to every single rom-com textbook story model and so heavily resting on weak humour. Alongside the contemporary traditional female friend and gay male friend duo (similar to Devil's Wear Prada) it's one large equation for mediocre...if that.
I'm not particularly familiar with Talbert and this is the first film I've seen of his, regardless, in this film it's strongly indicative that he's chosen quantity over quality.