Review of Report

Report (1967)
9/10
A beautifully made piece of film that inherently provides difficult emotions but a whirlwind of history up close
2 April 2014
Bruce Conner's "Report" is a cinematic relic, one that compiles archive footage of subpar quality but turns it into a beautiful showcase of hellish emotion and grief. The thirteen minute short takes very poorly preserved archive footage showing the events of November 22, 1963 when President John F. Kennedy rode through downtown Dallas, Texas with a parade, unknowingly bound to meet his gruesome fate, and adds clear audio of news reports describing a chaotic scene in Dallas after the president was shot. After about six to seven minutes of hearing this audio, we listen in on audio that gives us an idea of the events that preceded the horror, with reports talking about John and his wife Jackie Kennedy, their outfits, and the parade route, showing how everybody but one person knew what would happen to John F. Kennedy that day. "Report" is fascinating because through its technical imperfections (this is not a criticism) it creates a shivering account of that day, sure to strike the biggest cord with people who were alive when Kennedy was killed and remember where they were that faithful day. I was reminded of the feeling I get when I curiously search news reports of recent tragedies like the Aurora, Colorado theater shooting, the Sandy Hook Elementary School shooting, or even the September 11, 2001 terrorist attacks, or even simply recall where I was when I first heard about the events. When viewing things like this, it's almost as if your body goes into shock, unable to process all the emotions you're currently feeling. A deep feeling of sadness looms over you like storm-clouds rolling in. Even preparing for the downpour doesn't help much because it truly can't predict the real reaction and the real wave of sadness and disgust. Conner's "Report" is a beautifully made piece of film that inherently provides difficult emotions but a whirlwind of history up close.

Directed by: Bruce Conner.
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