Directing duo Aharon Keshales and Navot Papushado's second feature "Big Bad Wolves" is their follow-up to the darkly comic "Rabies" (2011). Once again they attempt to create a genre-savvy thriller that blurs the lines between horror and political satire. Papushado's and Keshales bloody tale does a fine job mounting the tension, however the movie never fully clicks as a gritty revenge thriller or as a dark comedy. In regards to Quentin Tarantino's full-throttled endorsement of "Big Bad Wolves" as the year's best film is an absolutely ridiculous claim that sells his own work short.
There's a serial killer loose, and he's raping, torturing and decapitating girls, whose heads he then hides, mainly, it seems, to give this otherwise generic setup some needed flair. As the police futilely chase clues, a motley triangle emerges: a suspended cop, Micki (Lior Ashkenazi); a religious teacher, Dror (Rotem Keinan); and a mourning father, Gidi (Tzahi Grad). In time, the three converge in an isolated cabin that turns into a chamber of horrors as they play a psychological game to extract the location of the missing head from our killer.
"Big Bad Wolves" begs to be read as a metaphor, and the directors are taking dead aim here: Israel's own ugly history of torture and its ramifications. But their point soon wears itself out, and what remains is merely cheap shocks and an increasingly tiresome sense of black humor that neutralizes its attempt to increasing intensity.The film fails to deliver by suffering from irregular tonal shifts, a paper-thin story line, and a lethargic second act that stumbles into an incredibly underwhelming conclusion.
"Wolves" is a well made film beautifully shot in widescreen and technically impressive. It has its moments of wit with humor, and on occasion, it does get its desired effect. However there is just not nearly enough of it. "Big Bad Wolves" huffs and it puffs, but it doesn't blow the house down.
There's a serial killer loose, and he's raping, torturing and decapitating girls, whose heads he then hides, mainly, it seems, to give this otherwise generic setup some needed flair. As the police futilely chase clues, a motley triangle emerges: a suspended cop, Micki (Lior Ashkenazi); a religious teacher, Dror (Rotem Keinan); and a mourning father, Gidi (Tzahi Grad). In time, the three converge in an isolated cabin that turns into a chamber of horrors as they play a psychological game to extract the location of the missing head from our killer.
"Big Bad Wolves" begs to be read as a metaphor, and the directors are taking dead aim here: Israel's own ugly history of torture and its ramifications. But their point soon wears itself out, and what remains is merely cheap shocks and an increasingly tiresome sense of black humor that neutralizes its attempt to increasing intensity.The film fails to deliver by suffering from irregular tonal shifts, a paper-thin story line, and a lethargic second act that stumbles into an incredibly underwhelming conclusion.
"Wolves" is a well made film beautifully shot in widescreen and technically impressive. It has its moments of wit with humor, and on occasion, it does get its desired effect. However there is just not nearly enough of it. "Big Bad Wolves" huffs and it puffs, but it doesn't blow the house down.