Rich Mullins was a broken man. A man who felt rejected by his father, and by the God that the evangelical church had presented to him. He was also extremely gifted with the ability to express his struggle through words and music. He wrote just enough praise-happy songs to get Nashville to notice and lure him to record and sell his music. But, the real Rich remained tortured by his depression, addictions, and pain. He could sing about the love of God, but struggled to accept it himself.
"Ragamuffin" is a term used by author Brennan Manning, who is also depicted in the film. The word describes one whose "deepest awareness ... is that he is deeply loved by Jesus Christ and has done nothing to earn it or deserve it." It becomes an aspiration of Mullins to grasp that reality in the midst of a Christian subculture that prides itself on it's own triumphalism. As an artist, and a person, Rich Mullins was too honest - and too broken - to claim such a victory.
That is why the message of this movie contrasts so sharply with the latest "Christian" theatrical release, "God's Not Dead." There, Christianity is painted with bold strokes of black and white with little room for the gray smudges that watercolor the Ragamuffin's life. The two films could not be more different as well in their presentation of the Christian consumerism that has created Contemporary Christian Music. "God's Not Dead" blatantly uses the Newsboys as angelic messengers of the film's tag-line. They are not even represented as "artists" but function instead as "product placement." (Willie Robertson, of Duck Dynasty, cameos offering his "celebrity endorsement" for Jesus.) This was the "Christian World" that Rich Mullins hated, and worked all his career to avoid being conformed into. It was not his home.
Many evangelical Christians will be surprised, perhaps shocked or offended, to witness just what a mess Mullins was. Like the scriptures, the movie doesn't blink in showing us his flaws. You'll see him smoking, drinking, and swearing -- all while also clearly witnessing to the truth of the gospel with both his words and deeds. For many of us, it will be too much to stomach. Mullins would not fit in among many of our church friends. But, if Jesus still welcomes the poor in spirit, the mourning, and those hungering for righteousness into his Kingdom -- then Rich should be right at home there.
"Ragamuffin" is a term used by author Brennan Manning, who is also depicted in the film. The word describes one whose "deepest awareness ... is that he is deeply loved by Jesus Christ and has done nothing to earn it or deserve it." It becomes an aspiration of Mullins to grasp that reality in the midst of a Christian subculture that prides itself on it's own triumphalism. As an artist, and a person, Rich Mullins was too honest - and too broken - to claim such a victory.
That is why the message of this movie contrasts so sharply with the latest "Christian" theatrical release, "God's Not Dead." There, Christianity is painted with bold strokes of black and white with little room for the gray smudges that watercolor the Ragamuffin's life. The two films could not be more different as well in their presentation of the Christian consumerism that has created Contemporary Christian Music. "God's Not Dead" blatantly uses the Newsboys as angelic messengers of the film's tag-line. They are not even represented as "artists" but function instead as "product placement." (Willie Robertson, of Duck Dynasty, cameos offering his "celebrity endorsement" for Jesus.) This was the "Christian World" that Rich Mullins hated, and worked all his career to avoid being conformed into. It was not his home.
Many evangelical Christians will be surprised, perhaps shocked or offended, to witness just what a mess Mullins was. Like the scriptures, the movie doesn't blink in showing us his flaws. You'll see him smoking, drinking, and swearing -- all while also clearly witnessing to the truth of the gospel with both his words and deeds. For many of us, it will be too much to stomach. Mullins would not fit in among many of our church friends. But, if Jesus still welcomes the poor in spirit, the mourning, and those hungering for righteousness into his Kingdom -- then Rich should be right at home there.