The print of this film (shown on TCM) suffers from the ravages of time. I wish I could say that the genius of the film shines through, but I cannot.
It is an interesting film. Certainly a curiosity. The unusual use of different film stocks and the selective use of color make it a unique experience.
The subject of the film, a misanthropic painter who offers little in the way of redeeming value, makes the film an interesting story with a hollow center. Charles Strickland (George Sanders) is a man who sacrifices everything in life to retire to Tahiti to paint. Based loosely on the life of Gaugin, the film has an interesting cast of characters that surround Strickland, notably Herbert Marshall as Geoffrey Wolfe and Steven Geray as Dirk Stroeve.
One might feel compelled to watch the story of so unusual a protagonist, but he is not merely indifferent to others; he often goes out of his way to denigrate or insult them. When we finally see the artwork that has driven this man's obsession--if that's what it is--it is anticlimactic.
This work of fiction could have made Strickland a hero, fighting for his artistic vision. Instead, he comes across as little more than a craftsman who does even value his own work. This is disappointing.
It is an interesting film. Certainly a curiosity. The unusual use of different film stocks and the selective use of color make it a unique experience.
The subject of the film, a misanthropic painter who offers little in the way of redeeming value, makes the film an interesting story with a hollow center. Charles Strickland (George Sanders) is a man who sacrifices everything in life to retire to Tahiti to paint. Based loosely on the life of Gaugin, the film has an interesting cast of characters that surround Strickland, notably Herbert Marshall as Geoffrey Wolfe and Steven Geray as Dirk Stroeve.
One might feel compelled to watch the story of so unusual a protagonist, but he is not merely indifferent to others; he often goes out of his way to denigrate or insult them. When we finally see the artwork that has driven this man's obsession--if that's what it is--it is anticlimactic.
This work of fiction could have made Strickland a hero, fighting for his artistic vision. Instead, he comes across as little more than a craftsman who does even value his own work. This is disappointing.