...but highly watchable nonetheless. 'Houdini' is nothing we haven't seen before. This is so formulaic that really without much rewriting this film could be about anyone. This script is dead awful in terms of creating a story about the life of a real human being. This is the kind of picture 'Dewey Cox' lampooned so brutally.
But really I sort of expected this going into 'Houdini'. Bio pics really are a dime a dozen. None of them are particularly imaginative in framing the stories of their subjects. It's all about the presentation and the lead actor. In these regards 'Houdini' is a very fortunate movie. It's well shot, staged. and is very imaginative. Above anything else though Adrien Brody is the savior of this film. I think had a lesser actor been cast this movie could have been a disaster. This is a performance that transcends the clichés.
One of the glaring problems 'Houdini' and most bio pics has is that they want their titular characters to dissect life in a way that no real human ever does. Harry Houdini was a brilliant magician but that was also his job. If 'Houdini' wanted to dissect life through the lens of it's character it would devote more time to showing Houdini developing his performances and exploring his relationship with the audience. I really fail to see why this isn't more simple to comprehend. So the least interesting aspects of the film all have to do with the comical monologues Brody is given as he explains his deepest darkest fears. Frankly, they make Houdini sound pretentious and whiny. Brody does his best with them but they hurt both the pacing of the film and the audience's relationship with the character.
Unsurprisingly 'Houdini' works brilliantly when it goes into his magic acts. Brody exhibits a great starry eyed quality into his character. There's a great moment in the film when Harry talks about striving to give his audience the best and how that serves as a constant challenge to one up himself. Everything is recreated in a painstaking manner and Brody actually does a great job setting up these tricks. He is brilliant at making us interested.
The second half which delves into his quest to debunk spiritualists is even better than the first half. It really leaves the traps of the script here and we see Houdini as a real character. Frankly, I think this is what I admired most about Houdini. Brody shows Houdini as a man in grief who wants nothing more than to be wrong and to believe in a world of the fantastic despite knowing the secrets behind every magic trick. I think a great film could just be made with this aspect of Houdini's life because it shows Houdini for what he was best at, bending secrets. The fact that he bends secrets because he cares about people though is what makes him identifiable.
'Houdini' is goofy but really in the scope of things it is harmless and Adrien Brody is able to do some good things with the role. I recommend it to anyone who is interested in Harry Houdini and wants a somewhat fresh looking take. It's not terrible but serviceable. At the very most Adrien Brody wants to have fun even if it is ridiculous and Harry Houdini is remembered because of his ability to bring fun to the audiences.
But really I sort of expected this going into 'Houdini'. Bio pics really are a dime a dozen. None of them are particularly imaginative in framing the stories of their subjects. It's all about the presentation and the lead actor. In these regards 'Houdini' is a very fortunate movie. It's well shot, staged. and is very imaginative. Above anything else though Adrien Brody is the savior of this film. I think had a lesser actor been cast this movie could have been a disaster. This is a performance that transcends the clichés.
One of the glaring problems 'Houdini' and most bio pics has is that they want their titular characters to dissect life in a way that no real human ever does. Harry Houdini was a brilliant magician but that was also his job. If 'Houdini' wanted to dissect life through the lens of it's character it would devote more time to showing Houdini developing his performances and exploring his relationship with the audience. I really fail to see why this isn't more simple to comprehend. So the least interesting aspects of the film all have to do with the comical monologues Brody is given as he explains his deepest darkest fears. Frankly, they make Houdini sound pretentious and whiny. Brody does his best with them but they hurt both the pacing of the film and the audience's relationship with the character.
Unsurprisingly 'Houdini' works brilliantly when it goes into his magic acts. Brody exhibits a great starry eyed quality into his character. There's a great moment in the film when Harry talks about striving to give his audience the best and how that serves as a constant challenge to one up himself. Everything is recreated in a painstaking manner and Brody actually does a great job setting up these tricks. He is brilliant at making us interested.
The second half which delves into his quest to debunk spiritualists is even better than the first half. It really leaves the traps of the script here and we see Houdini as a real character. Frankly, I think this is what I admired most about Houdini. Brody shows Houdini as a man in grief who wants nothing more than to be wrong and to believe in a world of the fantastic despite knowing the secrets behind every magic trick. I think a great film could just be made with this aspect of Houdini's life because it shows Houdini for what he was best at, bending secrets. The fact that he bends secrets because he cares about people though is what makes him identifiable.
'Houdini' is goofy but really in the scope of things it is harmless and Adrien Brody is able to do some good things with the role. I recommend it to anyone who is interested in Harry Houdini and wants a somewhat fresh looking take. It's not terrible but serviceable. At the very most Adrien Brody wants to have fun even if it is ridiculous and Harry Houdini is remembered because of his ability to bring fun to the audiences.