Rosalind Russell plays the heiress to a Las Vegas casino, and thinking it is one of the big ones, she invades it like gangbusters, ordering the cast of the on-stage revue around (during the show!) and really making a total fool out of herself. So starts this weak but colorful musical where Roz missed out on reading the script and ended up in a film where the songs are less than mediocre even though her cast is incredibly gifted and the surrounding sets and costumes are lavish to the point of garishness. In short, perfect for 50's Vegas, yet less than perfect for the future "Auntie Mame".
The big novelty in this silly near disaster is seeing "Bewitched's" Marion Lorne as Roz's "Aunt Clara". No, she doesn't steal doorknobs or get stuck in chimney's, but the whole dithering personality that she became beloved for a decade later is there like gangbusters. Roz has two leading men: Latin lothario Fernando Lamas who must explain to her that he owns the casino she's trying to claim as hers, and Eddie Albert, the sap who doesn't realize until it is too late that he is loosing her. Lamas takes her to the one she was bequested: a run-down dump where the stage looks like something out of "The Harvey Girls". Of Miss Russell's musical numbers, only "If You'll Only Take a Chance" is worthy of her post-"Wonderful Town" talents, and the "Hillbilly" number is just so corny that the flakes fall right off the screen into the serial box.
On the other hand, Gloria De Haven gets a nice "Vegas" salute to "Champagne", but it is interrupted by Roz's insistence that she smile more. She gets most of the good lines too. James Gleason is as funny as ever as a buffer between Roz and Fernando, ending up in a cutesy romance with the daffy Lorne. If it wasn't for this cast, I would surely have to rate this a "3", its "5" from me coming at great reluctance, mainly because Roz gives it the old college try. There are tons of familiar faces in the chorus and in the background, some of whom went onto bigger and better things, and one of whom went on to win an Oscar.
The big novelty in this silly near disaster is seeing "Bewitched's" Marion Lorne as Roz's "Aunt Clara". No, she doesn't steal doorknobs or get stuck in chimney's, but the whole dithering personality that she became beloved for a decade later is there like gangbusters. Roz has two leading men: Latin lothario Fernando Lamas who must explain to her that he owns the casino she's trying to claim as hers, and Eddie Albert, the sap who doesn't realize until it is too late that he is loosing her. Lamas takes her to the one she was bequested: a run-down dump where the stage looks like something out of "The Harvey Girls". Of Miss Russell's musical numbers, only "If You'll Only Take a Chance" is worthy of her post-"Wonderful Town" talents, and the "Hillbilly" number is just so corny that the flakes fall right off the screen into the serial box.
On the other hand, Gloria De Haven gets a nice "Vegas" salute to "Champagne", but it is interrupted by Roz's insistence that she smile more. She gets most of the good lines too. James Gleason is as funny as ever as a buffer between Roz and Fernando, ending up in a cutesy romance with the daffy Lorne. If it wasn't for this cast, I would surely have to rate this a "3", its "5" from me coming at great reluctance, mainly because Roz gives it the old college try. There are tons of familiar faces in the chorus and in the background, some of whom went onto bigger and better things, and one of whom went on to win an Oscar.