As is the case with these early science fiction efforts, there some pretty interminable scenes for a modern viewer. The underwater hunting trip is endless, but in its time probably was quite remarkable. The interaction with the principle characters is virtually non-existent. Nemo has something going on and his submarine is known as a monster, yet he takes on board, those whose ship he destroyed. He seems intent on helping people and seems to have a good heart. Of course, the original book is thrown out the window, with a tale of a lost child and a dead wife and the pursuit of a man whom he has obsessed over. This is OK because it does bring in an interesting set of circumstances. It presents guilt and its implications. I did not see a very good print, which was distracting, but the early silent feature is quite inviting.
Review of 20,000 Leagues Under the Sea
