6/10
Not a great movie, but Bob Dylan's best movie
23 June 2015
Warning: Spoilers
In a dystopian Latin-American future, cynical has-been rock star Jack Fate (really? Is that the best name you could come up with?) supplies the soundtrack to revolution, which is not televised, and isn't a real revolution anyway.

You may remember the first time you ever heard one of Dylan's classic songs, and began to realise that it didn't matter that it made no sense. The point was just to let it wash over you and grin inwardly at the sharp sardonic points, the clever bad rhymes and the surreal metaphors. M&A is like that with moving pictures and stunt casting.

Jessica Lange is the best, John Goodman (doing his usual crooked hard-drinkin' hustler shtick) is the worst. Bob himself is best when performing with the band, but if you remember that he was (only!) 60 when this was made, it's surprising how tired and frail he looks and sounds. No Bob, we don't like it when your singing sounds like you're going to cough something up, even if you do. And he still can't act, or should that be 'doesn't bother to act'? Masked and Anonymous is fun for Dylan fans and cameo-spotters - what more could a Dylan fan want? Just don't expect to be spoon-fed.
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