"The Wayward Cloud" opens with a scene of sex with a watermelon though neither the melon nor the sex look particularly appetizing. We are in Taiwan and there's a heatwave which might explain the copious amounts of nudity as well as the watermelons if not the behavior of the characters. Ming-Liang Tsai's film, (it appears it follows on from earlier work but this is the first of his films I've seen), doesn't really have much of a plot and very little in the way of dialogue and what 'plot' there is doesn't really make a lot of sense, (the bloke who metamorphoses into a sea-creature in a large tank and breaks into song is only the first of several very camp musical numbers). Unfortunately this picture, which lasts close to two hours, is aimed very much at an art-house audience who like their sex movies to be vague and abstract rather than simply down and dirty, (even the money-shot is basically abstract). Of course, you could be forgiven for thinking that the very explicit sex scenes have, within them, a sense of comedy or at least are meant to be 'tongue-in-cheek', (no pun intended), and that the musical interludes are aimed at a largely gay audience. Either way, "The Wayward Cloud" isn't going to wow them in Middle America or down at the multiplexes but it's sufficiently pretentious and sufficiently weird to be at least interesting. I may have been perplexed but I was certainly never bored.
Review of The Wayward Cloud
