I don't understand the vitriolic and negative reviews. Were those people expecting an informative documentary like on Discovery channel? And I don't think Ray Bradbury would be upset at the treatment his short story received. His story was fantasy, well-written and clever, and putting that on the screen would be a challenge. I think the writers, producers, director and actors have done a pretty-good job of it.
From memory, Bradbury's story ends when it is discovered that evolution has changed because of a tiny alteration in a time-travel incident. But that would make the movie 37 minutes long, so the modern writers have to find a remedy, and stretch it out to a reasonable length.
Ryer (Burns) knows what has to be done and he has to get the inventor of the TAMI machine, Sonia Rand, (Catherine McCormack) to help, but New York is now a jungle and there are hordes of ape-lizards, and ape-bats and nasty eagles too. They have to get to a university with a working particle accelerator. What a challenge, through the flooded subway and always pursued by monsters.
Suspend ones reasoning, just take it for a way-out fantasy. And it looks better when watched for a second or third time.
The story is good, the characters are well-defined, the acting is good, (especially that of a support character Eccles (William Armstrong) who is absolutely terrified), and there is some memorable dialogue, so I've given it a 7.
For once, Catherine McCormack doesn't even get kissed!
From memory, Bradbury's story ends when it is discovered that evolution has changed because of a tiny alteration in a time-travel incident. But that would make the movie 37 minutes long, so the modern writers have to find a remedy, and stretch it out to a reasonable length.
Ryer (Burns) knows what has to be done and he has to get the inventor of the TAMI machine, Sonia Rand, (Catherine McCormack) to help, but New York is now a jungle and there are hordes of ape-lizards, and ape-bats and nasty eagles too. They have to get to a university with a working particle accelerator. What a challenge, through the flooded subway and always pursued by monsters.
Suspend ones reasoning, just take it for a way-out fantasy. And it looks better when watched for a second or third time.
The story is good, the characters are well-defined, the acting is good, (especially that of a support character Eccles (William Armstrong) who is absolutely terrified), and there is some memorable dialogue, so I've given it a 7.
For once, Catherine McCormack doesn't even get kissed!