Although cheesy and corny at times, this lavish George Pal spectacle still packs a punch today with some agreeable old-fashioned special effects and a little bit of everything in the plot. Sure, it's not a perfect film, but what is? Occasionally dated and sometimes juvenile, ATLANTIS, THE LOST CONTINENT more than overcomes its flaws with a story populated by interesting characters, plenty of incident and interesting factors in the plot.
The film begins as a romantic adventure yarn as a beautiful Princess - as played by Joyce Taylor, who is very good and charismatic in the part - falls in love with a simple Greek fisherman, a fresh-faced lean youth played by Sal Ponti as a fearless, indestructible hero type. Once the action moves to Atlantis, the plot thickens with the introduction of many supporting characters, each with their own motivations, and numerous sub-plots.
From this point there are plenty of ominous rumblings and omens which point to the demise of Atlantis, which of course is saved for the finale. Up until then we follow Ponti, as he becomes a slave and rebels against the cruel guard, as led by a young William Smith. There are some fun sword-and-sandal type battle sequences involving battles between guards and slaves which highlight the action. Meanwhile Ponti finds himself facing the gladiatorial "fire and water challenge", in which he battles a brute of a man in a pit of hot coals which is then flooded with water. Again, a rousing moment, the highlight being the point when Ponti sets his opponent's head aflame! Another plot strand involves John Dall's Zaren, the King's right-hand who is effectively running the show and plans to become master of the world by using a crystal-powered death ray to destroy all of the other countries. Dall is the kind of slimy, yet charismatic villain you just love to hate, and kudos to the scriptwriters for not portraying him as a bad guy at the beginning of the film - instead, it's a gradual process.
Yet another sub-plot involves prisoners being converted into beastmen by the evil scientists of Atlantis, and sadly this is the most juvenile and poorly-realised portion of the film, with silly makeup effects and a lack of the tragi-horror combination that the writer was looking for with the beastmen. Thankfully this unwanted element is kept to the background in the movie. The special effects and fantastic elements are kept to a minimum up until the finale, which is where the budget seems to have been spent, and boy does it show. As Atlantis cracks up, we're treated to spectacular shots of bubbling lava, exploding volcanoes, collapsing buildings, the city on fire, rubble and masonry crushing people, floods and the city sinking beneath the ocean. On top of all this, the death ray comes into play to destroy numerous ships and lives, before it finally skeletonises the bad guy and goes berserk, causing yet more destruction. A truly satisfying conclusion to the movie and worth waiting for.
Even in the quieter moments, there is much to enjoy in ATLANTIS, THE LSOT CONTINENT's colourful cinematography and imaginative set design, including a weird temple with a huge Minotaur statue. In all, this is a splendid - if minorly flawed - retelling of the classic legend and an all-round crowd pleaser, bolstered most by the likable leads and Pal's uniqely old-fashioned approach to the adventure.
The film begins as a romantic adventure yarn as a beautiful Princess - as played by Joyce Taylor, who is very good and charismatic in the part - falls in love with a simple Greek fisherman, a fresh-faced lean youth played by Sal Ponti as a fearless, indestructible hero type. Once the action moves to Atlantis, the plot thickens with the introduction of many supporting characters, each with their own motivations, and numerous sub-plots.
From this point there are plenty of ominous rumblings and omens which point to the demise of Atlantis, which of course is saved for the finale. Up until then we follow Ponti, as he becomes a slave and rebels against the cruel guard, as led by a young William Smith. There are some fun sword-and-sandal type battle sequences involving battles between guards and slaves which highlight the action. Meanwhile Ponti finds himself facing the gladiatorial "fire and water challenge", in which he battles a brute of a man in a pit of hot coals which is then flooded with water. Again, a rousing moment, the highlight being the point when Ponti sets his opponent's head aflame! Another plot strand involves John Dall's Zaren, the King's right-hand who is effectively running the show and plans to become master of the world by using a crystal-powered death ray to destroy all of the other countries. Dall is the kind of slimy, yet charismatic villain you just love to hate, and kudos to the scriptwriters for not portraying him as a bad guy at the beginning of the film - instead, it's a gradual process.
Yet another sub-plot involves prisoners being converted into beastmen by the evil scientists of Atlantis, and sadly this is the most juvenile and poorly-realised portion of the film, with silly makeup effects and a lack of the tragi-horror combination that the writer was looking for with the beastmen. Thankfully this unwanted element is kept to the background in the movie. The special effects and fantastic elements are kept to a minimum up until the finale, which is where the budget seems to have been spent, and boy does it show. As Atlantis cracks up, we're treated to spectacular shots of bubbling lava, exploding volcanoes, collapsing buildings, the city on fire, rubble and masonry crushing people, floods and the city sinking beneath the ocean. On top of all this, the death ray comes into play to destroy numerous ships and lives, before it finally skeletonises the bad guy and goes berserk, causing yet more destruction. A truly satisfying conclusion to the movie and worth waiting for.
Even in the quieter moments, there is much to enjoy in ATLANTIS, THE LSOT CONTINENT's colourful cinematography and imaginative set design, including a weird temple with a huge Minotaur statue. In all, this is a splendid - if minorly flawed - retelling of the classic legend and an all-round crowd pleaser, bolstered most by the likable leads and Pal's uniqely old-fashioned approach to the adventure.