Philippe Le Guay has cut his film to fit the talent of Fabrice Luchini in his 2014 Bicycling with Moliere. Luchini is hardly a household name in the US, but he is a welcome, much appreciated and feted actor in Europe from the Atlantic to the Urals. His distinctive voice is not unknown in Africa, Latin America and Asia. To give the American English speakers an idea of his talent, Luchini measures, as a classical and cinema actor, up to John Gielgud. Serge Tanneur (Luchini), after a long career in theatre, withdraws to splendid solitude in an island off the French coast. Gauthier Valence (Lambert Wilson) comes to the island to woo his friend Serge back to the stage in Moliére's Le Misanthrope, a play that Tanneur has often played during his 30-year career.
Valence suggests that Tanneur play as against type the role of Philint, and he takes the plum role of Alceste, the Misanthrope.
Serge at first rebuffs his friends, but Valance, a star in a successful soap opera, offers a tempting off of alternating roles, a novel idea that would guarantee the play's box-office success.
And so the stage is set as the two friends personify the modern Alceste (Luchini) and Philint (Wilson) in their personal relationship.
And so, Serge puts Valance through his paces whilst bicycling through the high- and byways of the island.
Like Philint, Valence cares for Alceste, his acerbic friend Tanneur. As the film rolls on, it is obvious to everyone but Valence, he is not up to the central role of Le Misanthrope. Still Serge walks him through his paces, correcting his pronunciation to fit the Alexandrine metre the play is written, as well as its complexities of the play. And yet, Valence muddles the script.
In a closing scene, we see Luchini wearing the 16-century dress of Alceste peddling towards a cocktail party to confront Philinth whom he feels has betrayed him.
And he parts company with Valance by refusing to play no role but that of Alceste., thereby underscoring he is a modern Alceste who not only in a vein of irony and bitter-comic relief pointing out flaws in the human character, but also shuts out any reconciliation, not a resolution to the weaknesses of man.
As the camera zooms in on Luchini sitting alone of a beach, he recites with a touch of pathos,
"My hate is general, I detest all men; Some because they are wicked and do evil, Others because they tolerate the wicked, Refusing them the active vigorous scorn Which vice should stimulate in virtuous minds."
Valence suggests that Tanneur play as against type the role of Philint, and he takes the plum role of Alceste, the Misanthrope.
Serge at first rebuffs his friends, but Valance, a star in a successful soap opera, offers a tempting off of alternating roles, a novel idea that would guarantee the play's box-office success.
And so the stage is set as the two friends personify the modern Alceste (Luchini) and Philint (Wilson) in their personal relationship.
And so, Serge puts Valance through his paces whilst bicycling through the high- and byways of the island.
Like Philint, Valence cares for Alceste, his acerbic friend Tanneur. As the film rolls on, it is obvious to everyone but Valence, he is not up to the central role of Le Misanthrope. Still Serge walks him through his paces, correcting his pronunciation to fit the Alexandrine metre the play is written, as well as its complexities of the play. And yet, Valence muddles the script.
In a closing scene, we see Luchini wearing the 16-century dress of Alceste peddling towards a cocktail party to confront Philinth whom he feels has betrayed him.
And he parts company with Valance by refusing to play no role but that of Alceste., thereby underscoring he is a modern Alceste who not only in a vein of irony and bitter-comic relief pointing out flaws in the human character, but also shuts out any reconciliation, not a resolution to the weaknesses of man.
As the camera zooms in on Luchini sitting alone of a beach, he recites with a touch of pathos,
"My hate is general, I detest all men; Some because they are wicked and do evil, Others because they tolerate the wicked, Refusing them the active vigorous scorn Which vice should stimulate in virtuous minds."