6/10
A movie to quench an action craving...but, not one to fill a void for good stories
7 December 2015
Warning: Spoilers
WARNING: POSSIBLE SPOILERS AHEAD

Every once and a while, I like to take a survey of films and television shows of a certain genre. I've done superheroes, vampires, vampire slayers and spies. My current survey is Anime, as it was the one genre of which I hadn't done much watching. I'm currently making my way through Death Note, K and Blue Exorcist. I've actually purchased Akira and frequently watch it on a regular basis. I've seen select episodes of Attack on Titan, Kill la Kill, Sword Art Online, Black Butler and some others. I've finished watching Akame ga Kill, as well. Full Metal Alchemist and its following series are on deck. And, this weekend, I came across this one while looking for something shorter than a series. Glad to discover this one, as I have very little experience with 3D Anime, as well.

As a Harlock virgin, I knew nothing about the menga (another entertainment genre I've not dabbled in) or the following anime, so the universe was shiny and new for me. And I enjoyed the presentation, for the most part. Despite needing to go back a few times to keep up with the subtitles if I looked away from my screen, as I enjoy foreign films and shows in their original language, I followed the story pretty well. Due to my slight understanding of Japanese culture, I was able to overlook most of what my fellow reviewers may complain about (i.e. the dramatics (over-the-top-weapons), the focus on the childish romance and the need to maintain balance by closing the circle.) For the con side of coin, the story needed some serious work. It needed to be clearer on who we were to follow: Yama or Harlock. Also, it needed to be clearer in what the endgame was, to present an origin story to "Captain Harlock" or if it was a resistance plot. Granted, it could be both but we needed clarity. Also, the antagonist wasn't real enough or constructed well enough to make the hero work for his title. Besides Isora being competently built as a character, he still was relatively flat. It is a must that we feel for both the hero and the villain. Both Yama and Harlock failed to earn their mantle as hero, despite each of them being built competently and Yama being the most dimensional character in the film, which isn't saying much. The others aren't built at all they seem to exist so that the dialogue doesn't sound monotone. We must care for these characters, the must make us empathize, but none of the characters made me do that, so the core of the film was hollow.

On the positive side, the production value was excellent. Despite the re-use of some of the action cuts, the animation was top notch for my first outing. I enjoyed the Gothic cathedral design of the Legion ships and their technology, all the details, from the arch above the bridge to the insignia on the front of their ships spoke to their power and philosophy. My favorite ship, however, is not a surprise. I loved…LOVED…the design of the Arcadia!! It also spoke to volumes as to Harlock's mission and the attitude of his crew. I enjoyed its submarine-like design with its steam-punk flair, down to the old-school ship's wheel. It was rich in history and yet it still fit in the space theme. Its use of black smoke to conceal its arrival opposed the light used by the Legion ships. This juxtaposition highlights the conflict at the center of the universe. The music was well composed and the artistic value was well done. I enjoyed that the female characters were mostly not simply eye candy as most anime pieces tend to present women as. Granted they were not well utilized, but hardly anyone was anyways.

As part of my survey of the anime genre, this was a good choice to study. But, due to the core being hollow, I can't say that the film was "well-done." If I needed to watch on a rainy afternoon, this one'll work as it takes you away from your living room and into a new world for a time. Just don't expect to remember it years later as the impression will most likely be fleeting.
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