Released in 2010, "The Runaways" chronicles the quick rise and fall of all-girl rock band The Runaways who released four albums from 1976-1978. I mean "girl" literally since they WERE girls at the time; for instance, when the band was formed in late 1975 singer Cherie Currie just turned 16 years-old. The movie is lightly based on Currie's book Neon Angel: A Memoir of a Runaway and therefore focuses on the friendship of Cherie (Dakota Fanning) and Joan Jett (Kristen Stewart) and their relationship with their eccentric manager Kim Fowley (Michael Shannon). Riley Keough plays Cherie's "better looking" sister while Scout Taylor-Compton and Stella Maeve play band members Lita Ford and Sandy West.
The Runaways had some brief success in the late 70s, but they quickly nosedived because they were teenagers and simply couldn't handle the pressures and temptations of the 70's rock 'n' roll lifestyle, particularly Cherie. The movie successfully illustrates this. Of course "Cherry Bomb" was a fairly well known song but, beyond this, they just weren't that popular. They were a here-today-gone-tomorrow act; a minor blip in rock history. You could say they were a good "farm band" for the more popular Joan Jett and Lita Ford. Speaking of the latter, Scout Taylor-Compton looks uncannily like her, but the character is given short shrift in favor of Jett and Currie. While this is understandable given that the movie was based on Currie's book and the short 96-minute runtime, there's no excuse for ignoring Lita at the end when the movie cites what the characters went on to accomplish. Since Ford was the second most successful Runaway in the music business, second only to Jett, this is inexcusable.
Despite this grave transgression, the movie works because of the great performances of the principle actors. Shannon is particularly effective as the freakish Fowley (who passed away in 2015 at the age of 75). Unfortunately, with a movie that's only an hour and a half long they can only tell so much of the story. Currie described the real story as epic and that the movie is just a "lighter kind of flash" of what The Runaways were for two and a half years. Being a 70's rock biopic of teenage girls you can expect the sex & drugs elements with profanity, crudeness and a dismal pall. Like 1991's "The Doors," the movie doesn't show much of the fun side of rock 'n' roll.
If you can look beyond the vulgarity and ugliness, however, the movie has (some) heart. For instance, the genuine friendship of Jett and Currie, which can be observed in the phone call at the end; and the loving relationship of Cherie and her sister Marie. The sisters went on to record a couple albums together – 1978's BEAUTY'S ONLY SKIN DEEP and 1980's MESSIN' WITH THE BOYS – but their music career failed to go further due to Cherie's problems with drug dependency.
I liked this movie better the second time I watched it. It's too crude and dreary for my tastes and it lags here and there, but it makes up for it with effective performances and the warm relationships noted above. Plus it has a rockin' soundtrack. If you watch recent interviews, you'll observe that Lita and Cherie grew up to be palpably honorable, beautiful women. Joan's cool too, of course; she's just not my cup of java, although I like some of her songs.
The film was shot in the Los Angeles area.
GRADE: B- (6.5/10)
The Runaways had some brief success in the late 70s, but they quickly nosedived because they were teenagers and simply couldn't handle the pressures and temptations of the 70's rock 'n' roll lifestyle, particularly Cherie. The movie successfully illustrates this. Of course "Cherry Bomb" was a fairly well known song but, beyond this, they just weren't that popular. They were a here-today-gone-tomorrow act; a minor blip in rock history. You could say they were a good "farm band" for the more popular Joan Jett and Lita Ford. Speaking of the latter, Scout Taylor-Compton looks uncannily like her, but the character is given short shrift in favor of Jett and Currie. While this is understandable given that the movie was based on Currie's book and the short 96-minute runtime, there's no excuse for ignoring Lita at the end when the movie cites what the characters went on to accomplish. Since Ford was the second most successful Runaway in the music business, second only to Jett, this is inexcusable.
Despite this grave transgression, the movie works because of the great performances of the principle actors. Shannon is particularly effective as the freakish Fowley (who passed away in 2015 at the age of 75). Unfortunately, with a movie that's only an hour and a half long they can only tell so much of the story. Currie described the real story as epic and that the movie is just a "lighter kind of flash" of what The Runaways were for two and a half years. Being a 70's rock biopic of teenage girls you can expect the sex & drugs elements with profanity, crudeness and a dismal pall. Like 1991's "The Doors," the movie doesn't show much of the fun side of rock 'n' roll.
If you can look beyond the vulgarity and ugliness, however, the movie has (some) heart. For instance, the genuine friendship of Jett and Currie, which can be observed in the phone call at the end; and the loving relationship of Cherie and her sister Marie. The sisters went on to record a couple albums together – 1978's BEAUTY'S ONLY SKIN DEEP and 1980's MESSIN' WITH THE BOYS – but their music career failed to go further due to Cherie's problems with drug dependency.
I liked this movie better the second time I watched it. It's too crude and dreary for my tastes and it lags here and there, but it makes up for it with effective performances and the warm relationships noted above. Plus it has a rockin' soundtrack. If you watch recent interviews, you'll observe that Lita and Cherie grew up to be palpably honorable, beautiful women. Joan's cool too, of course; she's just not my cup of java, although I like some of her songs.
The film was shot in the Los Angeles area.
GRADE: B- (6.5/10)