The Big Short (2015)
**** (out of 4)
Four different groups of people notice that something isn't quite right with the housing market and soon make a large wager that the economy is going to fall apart.
Trying to sell America on a film that deals with a true story of the market collapse isn't the easiest thing to do and I must admit that I was shocked when THE BIG SHORT became a modest hit at the box office. I was even more shocked when I realized Adam McKay was the director behind this film but I was even more shocked at how wonderful he handled the material once the end credits started to roll. I mean, who thought that McKay would handle such a tricky story just like you'd expect Alfred Hitchcock, Martin Scorsese and Robert Altman?
I purposely used those three filmmakers to make my point. The Hitchcock connection comes from that director liking to let you know you're in danger and then he milks the suspense. THe same is done here as you know going into the movie that millions of Americans are going to lose their homes and their jobs so McKay lights the bomb at the start of the film and THE BIG SHORT just grows with tension leading up to the final collapse. The Altman connection is how McKay uses four different groups of people acting during the same period to build up to the conclusion. All four stories are all very interesting on their own and the director perfectly mixes them together and plays them well off of each other.
As for the Scorsese connection, there's a whole lot of creative style on display here and just look at the wonderful cinematography that pretty much throws you into the middle of these meetings and you almost feel as if you're listening and watching something that you're not supposed to be. The style also really shows off the various lifestyles and the wild nature of Wall Street. Scorsese had tackled the excess in THE WOLF OF WALL STREET, which would make a perfect double feature with this film. The score, the music selections and the dialogue just jump off the screen and perfectly create a world that most watching the film probably won't be a part of.
Of course, then there are the wonderful performances that bring these characters, the situations and the dialogue to life. Christian Bale, is there anything this guy can't do? He plays another weirdo here but is there anyone who does it better or more believable? Steve Carell plays perhaps the most troubled character here and the actor turns in the greatest performance of his career. Ryan Gosling's dry humor is perfect for the black comedy in the film and Brad Pitt is also extremely good even though he plays the most laid back character. Throw in Marisa Tomei, Melissa Leo, Rafe Spall, John Magaro and Finn Wittrock and you've got some of the best acting that you're going to see all year.
THE BIG SHORT left me a tad bit nervous the first ten minutes because I wasn't quite sure if it was going to be able to grab me and hold my attention throughout. After all, it's story is a confusing one that you have to keep up with but McKay does a marvelous job at using humor to get the more confusing parts across and it works perfectly. This is certainly a very intelligent film that gets its message across without having to scarifies the entertainment level. It's certainly a creative gem that actually works.
**** (out of 4)
Four different groups of people notice that something isn't quite right with the housing market and soon make a large wager that the economy is going to fall apart.
Trying to sell America on a film that deals with a true story of the market collapse isn't the easiest thing to do and I must admit that I was shocked when THE BIG SHORT became a modest hit at the box office. I was even more shocked when I realized Adam McKay was the director behind this film but I was even more shocked at how wonderful he handled the material once the end credits started to roll. I mean, who thought that McKay would handle such a tricky story just like you'd expect Alfred Hitchcock, Martin Scorsese and Robert Altman?
I purposely used those three filmmakers to make my point. The Hitchcock connection comes from that director liking to let you know you're in danger and then he milks the suspense. THe same is done here as you know going into the movie that millions of Americans are going to lose their homes and their jobs so McKay lights the bomb at the start of the film and THE BIG SHORT just grows with tension leading up to the final collapse. The Altman connection is how McKay uses four different groups of people acting during the same period to build up to the conclusion. All four stories are all very interesting on their own and the director perfectly mixes them together and plays them well off of each other.
As for the Scorsese connection, there's a whole lot of creative style on display here and just look at the wonderful cinematography that pretty much throws you into the middle of these meetings and you almost feel as if you're listening and watching something that you're not supposed to be. The style also really shows off the various lifestyles and the wild nature of Wall Street. Scorsese had tackled the excess in THE WOLF OF WALL STREET, which would make a perfect double feature with this film. The score, the music selections and the dialogue just jump off the screen and perfectly create a world that most watching the film probably won't be a part of.
Of course, then there are the wonderful performances that bring these characters, the situations and the dialogue to life. Christian Bale, is there anything this guy can't do? He plays another weirdo here but is there anyone who does it better or more believable? Steve Carell plays perhaps the most troubled character here and the actor turns in the greatest performance of his career. Ryan Gosling's dry humor is perfect for the black comedy in the film and Brad Pitt is also extremely good even though he plays the most laid back character. Throw in Marisa Tomei, Melissa Leo, Rafe Spall, John Magaro and Finn Wittrock and you've got some of the best acting that you're going to see all year.
THE BIG SHORT left me a tad bit nervous the first ten minutes because I wasn't quite sure if it was going to be able to grab me and hold my attention throughout. After all, it's story is a confusing one that you have to keep up with but McKay does a marvelous job at using humor to get the more confusing parts across and it works perfectly. This is certainly a very intelligent film that gets its message across without having to scarifies the entertainment level. It's certainly a creative gem that actually works.