Audie Murphy's name may be at the top of the bill but it's pretty much Dan Duryea's picture the way he overtakes any scene he's in. Duryea reminded me of Richard Widmark as Tommy Udo in the 1947 film "Kiss of Death" the way he laughs maniacally whether the situation calls for it or not. I was thinking that if there was an old lady in the story, he might have thrown her down a flight of stairs just for the fun of it.
Murphy's character is Clay O'Mara, returning from a railroad job (no, really, he worked for a railroad, he wasn't railroaded) to track down the villain who murdered his father and brother during a cattle rustling operation. His quarry is upstanding citizen Tom Meredith (William Pullen) doing a hide in plain sight in concert with crooked Santiago town sheriff (Paul Birch). The pair send him on a mission sure to get O'Mara seriously killed when they finger Whitey Kincaid (Duryea) as a prime suspect.
It's never explained in the story how Clay O'Mara came by his skill with a six shooter. I was probably more surprised that Kincaid when the 'kid' shot the gun right out of his hand in a barroom face off. Sure you expect it of the story's hero but the groundwork was never laid for it, and O'Mara himself never gave a clue how he was so handy with a gun. Maybe he should have been the ringer in the story instead of Russell Johnson.
Say, did you notice the bars of the jail cell Whitey got locked up in - what's with the flimsy cross-hatch design? It looked like you could have pried them open with a decent crow bar if you had one. Probably why Kincaid didn't have one. He didn't need it actually since the sheriff gave him his gun back.
I don't know what might be considered the first revisionist Western but Duryea's performance here might be considered one of the earliest examples of a cowboy anti-hero. He's a villain you come to terms with the way Murphy's character did when he turned his back on the outlaw and lived to tell about it. It's too bad really that he didn't make it to the end of the picture.
Murphy's character is Clay O'Mara, returning from a railroad job (no, really, he worked for a railroad, he wasn't railroaded) to track down the villain who murdered his father and brother during a cattle rustling operation. His quarry is upstanding citizen Tom Meredith (William Pullen) doing a hide in plain sight in concert with crooked Santiago town sheriff (Paul Birch). The pair send him on a mission sure to get O'Mara seriously killed when they finger Whitey Kincaid (Duryea) as a prime suspect.
It's never explained in the story how Clay O'Mara came by his skill with a six shooter. I was probably more surprised that Kincaid when the 'kid' shot the gun right out of his hand in a barroom face off. Sure you expect it of the story's hero but the groundwork was never laid for it, and O'Mara himself never gave a clue how he was so handy with a gun. Maybe he should have been the ringer in the story instead of Russell Johnson.
Say, did you notice the bars of the jail cell Whitey got locked up in - what's with the flimsy cross-hatch design? It looked like you could have pried them open with a decent crow bar if you had one. Probably why Kincaid didn't have one. He didn't need it actually since the sheriff gave him his gun back.
I don't know what might be considered the first revisionist Western but Duryea's performance here might be considered one of the earliest examples of a cowboy anti-hero. He's a villain you come to terms with the way Murphy's character did when he turned his back on the outlaw and lived to tell about it. It's too bad really that he didn't make it to the end of the picture.