There's nothing like seeing the sun from the rings of Saturn! That basically sums up the theme of this deliciously bad and funny science fiction/horror film that has to be seen to be believed. Basically a rip-off of the atom age science fiction movies of the 1950's and 60's, this is too funny to pass up, yet too gory for some audiences to watch without turning their face away. It is one of those "Come back from outer space and see what you turn into!" themed space films, and boy, what happens to the astronaut here isn't a fate you'd wish on your worst enemy, probably because you know he'd be trying to chow down on your face for dinner. Lots of dripping goo will give the "eew" factor to audiences not expecting it, but there are also plenty of seemingly intentional laughs here in spite of the carnage.
Burr DeBenning is the handsome scientist, Dr. Nelson, whose old friend Steve has become a walking Frankenstein's monster, to quote one little girl who encounters him like the little girl did Karloff and Peter Boyle, and at least at the hands of Karloff didn't live to regret it. A fisherman encounters more than a bear and "heads up" (or off), the shot of the poor man's face floating down a river of no return onto an obvious man-made waterfall and plopping down as if it was an Alaskan salmon. That was the first of many laughs for me, and I settled back in preparation for a treat of horror comedy that both grossed me out and tickled my funny bone, although a few sequences were extremely disturbing.
The funniest sequence comes with the car ride of Dr. Nelson's seemingly old crone of a mother-in-law (a hysterical Dorothy Love), kissing her boyfriend as he drives, then nagging him to stop to pick oranges, which actually turn out to be lemons. The tension increases as the monster oozes his way through the lemon grove, stalks Dr. Nelson's house, encounters a turkey leg eating general, and eventually ends up in some sort of power plant like James Cagney fighting to get to "the top of the world". Another hysterical sequence has a young couple coming home to find oozing blood on their open door, and the poor girl actually pushing a refrigerator in front of the door and chopping off a hand while going slowly insane over what she's encountered. For a local sheriff, his encounter with the gooey creature turns out to be totally electrifying!
Containing some of the most ridiculous attempts at serious conversations I've seen in a film, one whole segment deals with Dr. Nelson's pregnant wife and him arguing over her forgetting to pick up crackers. It goes on and on, seemingly pointless, yet the same pointless attempt at serious conversation with mother-in-law Love just continues to get so hysterical, I longed for it to continue. She wants to stop to call to let her daughter know she's late, even though they are just a few minutes from there. Then, she wants to stop and get them chocolates or flowers, denying that she wants the chocolates for herself yet agreeing that flowers die too quickly. Hence the sudden decision to pick citrus fruit when you're already late, a segment that reminded me of Billie Burke's insistence on eating cake in somebody else's house while searching for her missing husband in "Topper Returns".
This is fast and funny, yet there is a serious message attached to the plot line that keeps repeating through the monster's memory of being an astronaut and encountering rays from the sun as seen from many millions of miles away. What are we going to outer space for when we don't know what sort of horrors we might bring back, and while it isn't mentioned, destroying our own atmosphere at the same time? So when a bad movie still makes you think about the impact that human beings are having on the world that we're supposed to be content with and try to continue to nurture, there is some purpose to it. The ending is very downbeat and ironic, with a janitor finding the mess of the night before, and simply sweeping it all up and tossing it away as the shot of another spacecraft prepares to take off.
Burr DeBenning is the handsome scientist, Dr. Nelson, whose old friend Steve has become a walking Frankenstein's monster, to quote one little girl who encounters him like the little girl did Karloff and Peter Boyle, and at least at the hands of Karloff didn't live to regret it. A fisherman encounters more than a bear and "heads up" (or off), the shot of the poor man's face floating down a river of no return onto an obvious man-made waterfall and plopping down as if it was an Alaskan salmon. That was the first of many laughs for me, and I settled back in preparation for a treat of horror comedy that both grossed me out and tickled my funny bone, although a few sequences were extremely disturbing.
The funniest sequence comes with the car ride of Dr. Nelson's seemingly old crone of a mother-in-law (a hysterical Dorothy Love), kissing her boyfriend as he drives, then nagging him to stop to pick oranges, which actually turn out to be lemons. The tension increases as the monster oozes his way through the lemon grove, stalks Dr. Nelson's house, encounters a turkey leg eating general, and eventually ends up in some sort of power plant like James Cagney fighting to get to "the top of the world". Another hysterical sequence has a young couple coming home to find oozing blood on their open door, and the poor girl actually pushing a refrigerator in front of the door and chopping off a hand while going slowly insane over what she's encountered. For a local sheriff, his encounter with the gooey creature turns out to be totally electrifying!
Containing some of the most ridiculous attempts at serious conversations I've seen in a film, one whole segment deals with Dr. Nelson's pregnant wife and him arguing over her forgetting to pick up crackers. It goes on and on, seemingly pointless, yet the same pointless attempt at serious conversation with mother-in-law Love just continues to get so hysterical, I longed for it to continue. She wants to stop to call to let her daughter know she's late, even though they are just a few minutes from there. Then, she wants to stop and get them chocolates or flowers, denying that she wants the chocolates for herself yet agreeing that flowers die too quickly. Hence the sudden decision to pick citrus fruit when you're already late, a segment that reminded me of Billie Burke's insistence on eating cake in somebody else's house while searching for her missing husband in "Topper Returns".
This is fast and funny, yet there is a serious message attached to the plot line that keeps repeating through the monster's memory of being an astronaut and encountering rays from the sun as seen from many millions of miles away. What are we going to outer space for when we don't know what sort of horrors we might bring back, and while it isn't mentioned, destroying our own atmosphere at the same time? So when a bad movie still makes you think about the impact that human beings are having on the world that we're supposed to be content with and try to continue to nurture, there is some purpose to it. The ending is very downbeat and ironic, with a janitor finding the mess of the night before, and simply sweeping it all up and tossing it away as the shot of another spacecraft prepares to take off.