Intelligent and observant drama of small town lives in the 1920s. Robert Preston is a Midwestern family man and traveling salesman who loses his job, fights with his wife (who accuses him of infidelity), and walks out of the house all on the same day. The screenwriters, Harriet Frank Jr. and Irving Ravetch, adapting the celebrated play by William Inge, allow for smart, pungent, often amusing interplay between husband and wife, the couple and their in-laws, mother and son, and father and daughter. There's also a beautifully modulated sequence between Preston and Angela Lansbury, playing the local beautician who wouldn't mind dallying with a married man--though this one sees her as just a friend. The picture runs too long, and features too much of budding teenager Shirley Knight and her blind date (the atrociously mannered Lee Kinsolving). Preston, too, is often overstated in his approach to the central role, while spouse Dorothy McGuire has to contend with unflattering costumes and the proverbial wifely hang-ups (she's frigid in the bedroom, she treats her husband like another child, etc.). The film has that phony Warner Bros. backlot appearance that dogged so many of their period films for decades, and a few of the speeches are underlined with a high-toned literacy that doesn't have the ring of natural conversation. Delbert Mann's direction is uneven and the camera-work is barely adequate, however this character piece has interesting people, engaging grown-up talk and some surprising candor and wit. **1/2 from ****
