portrait of a village. fragments from the atmosphere of Transylvania under the Austro-Ungarian Empire domination. impressive performances. and the art of Nicolae Margineanu to explore emotions and decisions and lost of sense in a story about the fall of lives. the poetry of image. the admirable cinematography. the tension. and Manuela Hărăbor imposing the lead character with grace and convincing art of detail. a film who surprise. not only for its status in the last years of Comunist regime. but for the profound feel to translate the universe of a cultural space in the best manner. a lesson of high cinematography. touching, clear, strange and full of rare form of emotion. must see it. for understand an old way to discover and use the meanings of life.
Review of The Forest Woman
