Well, that really wasn't what DeMille was trying to say, but he certainly liked to insert these orgy scenes whenever possible.
Leatrice Joy plays Lydia, a reckless playgirl, and Thomas Meighan plays O'Bannon, a principled district attorney. Lois Wilson adds support as Joy's maid, Evans, who steals Lydia's ring to pay for her son's medical bills. O'Bannon, who is in love with Lydia, prosecutes Evans, although Lydia promises to appear in court on her behalf. Instead, Lydia forgets all about her maid languishing in jail and awaiting trial, gets drunk, and has a hangover the day of Evans' trial. Evans is sent to prison. As Lydia is roaring down the street in her car (over 60 mph!!!), a habit of hers, a motorcycle cop pursues her (there is a subplot here, but not worth mentioning). Anyhow, the cop smacks into her car, and Lydia is charged with manslaughter. O'Bannon, thoroughly angry at Lydia by now, prosecutes her, and all of Lydia's legal tricks do not provide an escape from a prison sentence. Now Evans runs into Lydia in prison and Lydia continues to try and order Evans about like a maid! Evans has an appropriate reaction. But soon, Evans sees "the light", and so does Lydia. O'Bannon, distraught over sending his true love to jail, starts hitting the bottle. Will DeMille go for a happy ending? The acting is pretty good, and certainly less hammy than you would see in a typical DeMille flick.
Writer Jeanie Macpherson got onto a racetrack with a professional race car driver to experience what it would be like to drive at high speed (they hit over 100 mph), but it was Leatrice Joy who was stuck actually driving the car with the safety of the cameramen depending on her driving skills.
There is one weird aspect of this film, and that is the Roman orgy scene. This "flashback" occurs while O'Bannon is summing up his case against Joy. The scene is complete with tigers, gladiators, people prancing around in weird outfits, and, if my eyes did not deceive me, two women making out. Later, there is another "flashback," with Meighan in some weird barbarian garb dragging Joy up some steps with a whip around her hands. Apparently this was DeMille's way of saying the country was going to hell in a hand cart.
De Mille had gotten in trouble with what little film censorship existed in his earliest films for showing sexy drunken scenes, so he changed his formula to show the sexy drunken orgy scenes as some kind of moral comparison with a Biblical lesson and got away with it. At least until the actual production code came into force in 1934.
This film was remade as a talking film in 1930 with Claudette Colbert as Lydia with basically the same plot, but with no orgies this time. That wasn't really director George Abbott's cup of tea.
Leatrice Joy plays Lydia, a reckless playgirl, and Thomas Meighan plays O'Bannon, a principled district attorney. Lois Wilson adds support as Joy's maid, Evans, who steals Lydia's ring to pay for her son's medical bills. O'Bannon, who is in love with Lydia, prosecutes Evans, although Lydia promises to appear in court on her behalf. Instead, Lydia forgets all about her maid languishing in jail and awaiting trial, gets drunk, and has a hangover the day of Evans' trial. Evans is sent to prison. As Lydia is roaring down the street in her car (over 60 mph!!!), a habit of hers, a motorcycle cop pursues her (there is a subplot here, but not worth mentioning). Anyhow, the cop smacks into her car, and Lydia is charged with manslaughter. O'Bannon, thoroughly angry at Lydia by now, prosecutes her, and all of Lydia's legal tricks do not provide an escape from a prison sentence. Now Evans runs into Lydia in prison and Lydia continues to try and order Evans about like a maid! Evans has an appropriate reaction. But soon, Evans sees "the light", and so does Lydia. O'Bannon, distraught over sending his true love to jail, starts hitting the bottle. Will DeMille go for a happy ending? The acting is pretty good, and certainly less hammy than you would see in a typical DeMille flick.
Writer Jeanie Macpherson got onto a racetrack with a professional race car driver to experience what it would be like to drive at high speed (they hit over 100 mph), but it was Leatrice Joy who was stuck actually driving the car with the safety of the cameramen depending on her driving skills.
There is one weird aspect of this film, and that is the Roman orgy scene. This "flashback" occurs while O'Bannon is summing up his case against Joy. The scene is complete with tigers, gladiators, people prancing around in weird outfits, and, if my eyes did not deceive me, two women making out. Later, there is another "flashback," with Meighan in some weird barbarian garb dragging Joy up some steps with a whip around her hands. Apparently this was DeMille's way of saying the country was going to hell in a hand cart.
De Mille had gotten in trouble with what little film censorship existed in his earliest films for showing sexy drunken scenes, so he changed his formula to show the sexy drunken orgy scenes as some kind of moral comparison with a Biblical lesson and got away with it. At least until the actual production code came into force in 1934.
This film was remade as a talking film in 1930 with Claudette Colbert as Lydia with basically the same plot, but with no orgies this time. That wasn't really director George Abbott's cup of tea.