Yet another Gothic shocker, the ones that the Italians could make in their sleep by now. Once again events take place at a remote mansion, inhabited by sinister servants. Barbara Steele is on the receiving end of some nasty acts of violence before getting her revenge in the final reel. Sounds just like every other Italian Gothic film you've seen? You'd be right, and it's just as much fun.
Once again the use of crisp black and white photography creates some stunning images with light and darkness battling for domination of the screen. Then again I watched this film in a widescreen, pristine print so I may just be biased. There's lots of creeping around in crypts and inexplicable noises in the distance, windows blowing open, etc. which help to give this film a nicely spooky atmosphere. This atmosphere is also increased by a beautiful, stately Gothic score by Ennio Morricone, one of the best composers of all time.
The acting is good all round, only occasionally veering into ham. Barbara Steele once again gets to play a dual role, and also gets to dish out/be at the receiving end of some terrible torture. Indeed, the increased violence level here is what sets it apart from the other Gothic entries; while CASTLE OF BLOOD and contemporaries were happy to leave the violence implied and off screen, NIGHT OF THE DOOMED is happy to show some nasty torture in all its glory. One man has his face disfigured, another is burnt alive while tied to a chair, and there's a cruel hot poker moment in there too. The violence is only used occasionally, and there's nowhere near the amount that the blurb states, but it's shocking nonetheless. Steele also gets to wear some horrible makeup at the film's climax.
Many people would complain that the pacing of this film is too slow, but I loved it. For the most part Steele thinks she is going insane, hearing noises in her head and dreaming of a murder. There's even an added sub-plot about a servant who seems to have come straight from COUNTESS Dracula and needs to have blood transfusions to keep her young. McDouglas is excellent as the stuffy, seemingly nice but cruelly evil husband, and even the dashing male lead is likable. The special effects are simple and effective; the only failure is a cheap-looking electrocution. Besides, when we have such classic moments as a man wiring up a bath to electrocute an enemy and an impaled heart being thrown in a fire, thereby dispelling the ghosts, it's easy to overlook these minor flaws. An excellent addition to your collection if you're a fan of Gothic cinema.
Once again the use of crisp black and white photography creates some stunning images with light and darkness battling for domination of the screen. Then again I watched this film in a widescreen, pristine print so I may just be biased. There's lots of creeping around in crypts and inexplicable noises in the distance, windows blowing open, etc. which help to give this film a nicely spooky atmosphere. This atmosphere is also increased by a beautiful, stately Gothic score by Ennio Morricone, one of the best composers of all time.
The acting is good all round, only occasionally veering into ham. Barbara Steele once again gets to play a dual role, and also gets to dish out/be at the receiving end of some terrible torture. Indeed, the increased violence level here is what sets it apart from the other Gothic entries; while CASTLE OF BLOOD and contemporaries were happy to leave the violence implied and off screen, NIGHT OF THE DOOMED is happy to show some nasty torture in all its glory. One man has his face disfigured, another is burnt alive while tied to a chair, and there's a cruel hot poker moment in there too. The violence is only used occasionally, and there's nowhere near the amount that the blurb states, but it's shocking nonetheless. Steele also gets to wear some horrible makeup at the film's climax.
Many people would complain that the pacing of this film is too slow, but I loved it. For the most part Steele thinks she is going insane, hearing noises in her head and dreaming of a murder. There's even an added sub-plot about a servant who seems to have come straight from COUNTESS Dracula and needs to have blood transfusions to keep her young. McDouglas is excellent as the stuffy, seemingly nice but cruelly evil husband, and even the dashing male lead is likable. The special effects are simple and effective; the only failure is a cheap-looking electrocution. Besides, when we have such classic moments as a man wiring up a bath to electrocute an enemy and an impaled heart being thrown in a fire, thereby dispelling the ghosts, it's easy to overlook these minor flaws. An excellent addition to your collection if you're a fan of Gothic cinema.