6/10
Comedic melodrama satirizing several Spanish characters such as as food , bullfighting , underwear clothes and many other things
12 September 2016
A small Spanish town is dominated by two businesses , -an underwear factory and a brothel- both run by strong-minded women . In the factory works as an executive , Manuel (Jordi Mollá) , chief's (Juan Diego) son , and also his girlfriend Sylvia (Penélope Cruz was 16 years old when this movie was made) works on the shop floor making male underwear . The brothel's Carmen (Anna Galiena) and the Factory's Conchita (Stefania Sandrelli) clash when Carmen's daughter becomes pregnant by Manuel . When Sylvia falls pregnant , Jose Luis promises her that he will marry her , most likely against the wishes of his parents ; to be aware Conchita , she is appalled and seeks an extreme solution . As his mother to be opposed to this relationship to a young girl from a lower-class family , and she then hires stud Raul (Javier Bardem) , to seduce Sylvia , only to fall for him himself .

Weird melodrama satirizing various aspects of the Spaniard characters , including machismo , ¨Toros and Toreo¨ , food and sex . The special film title ¨Jamón , Jamón¨ , that's why in Spanish, the word "jamón" means ''ham'', while a ''jamóna'' is a ''dish of a woman" . This is a decent film , being first part of Bigas Luna's "Iberian Trilogy" , it is stylishly photographed and smartly designed . Here Bigas Luna delivers his ordinary and erotic goods in cool sense of style , but including a lot of unkindly characters . Entertaining and modern picture filled with young roles and concerning a beautiful girl who wishes a better life and becomes involved with a passionate triangle . This stirring as well as erotic story is a touching retelling and moving tale about wishes , lies and disappointments , but including strong sex scenes with loads of nudism . This interesting flick results to be a moving tale about ambition , desire , luxury and poorness . As usual in Bigas Luna films , ¨Jamón , Jamon¨ explores the darkest depths of eroticism and Latinos stereotypical , including the Spanish machismo . So-so acting by a very young Penélope Cruz who becomes pregnant , she plays an obstinate girl whose naïve dreams are soon shattered by the ruthlessness and mediocre Jordi Mollá as Jose Luis , an executive at his parents underwear factory who wants to marry Sylvia . The best acting is given by Javier Bardém as a potential underwear model and would-be bullfighter , he represents perfectly the typical ¨Iberian macho¨ who attributes his sexual prowess to a steady diet of garlic and ham . Support cast is frankly extraordinary , such as as Stefania Sandrelli as Conchita , Jose Luis' mother , who is determined to break her son's engagement and Anna Galiena as a mature prostitute who runs a brothel . Furthermore , a colorful and evocative cinematography by Jose Luis Alcaine who was first cinematographer to use fluorescent tube as "key" lightning and deemed to be one of the best Spanish cameramen . Alcaine frequently works with Pedro Almodóvar , Bigas Luna and Vicente Aranda , as he has photographed ¨The skin I live in¨ , The bad education¨ , ¨Volver¨ , ¨Women in the verge of a nervous breakdown¨, among others . And a sensitive musical score by Nicola Paviani , including an enjoyable leitmotif .

The motion picture was compellingly directed by Bigas Luna , following his particular style , though is is full of nudism , intercourses and Softcore . He often uses in his films twisted events , erotic scenes and surrealist images , here including Goya/Luis Buñuel frames-alike . He was a Bon Vivant who along with his wife , produced wine , ham , and organic products ; they are well shown in his films . For 39 years, under General Francisco Franco's repressive regime , it was almost impossible for Spain to create a vibrant film industry and for talented film-makers to express themselves freely . However, after the death of the Generalissimo in 1975, there was a burst of creativity, with Pedro Almodóvar paving the way for directors such as Bigas Luna , who has died of cancer aged 67 . In 1990 the producer Andrés Vicente Gómez persuaded him to return to cinema and entrusted to him the direction of Las Edades De Lulú (The Ages of Lulu) , an erotic drama about a young woman exploring extreme sexual practices , this was a commercial hit . Without abandoning his dedication to painting and photography , reflected in numerous exhibitions , he began the well-known "Iberian Trilogy" with Jamón Jamón ("Ham, Ham", 1992) , Huevos de Oro ("Golden Balls", 1993) and La Teta y La Luna ("The Tit and the Moon", 1994) which explored the darkest depths of eroticism and stereotypical Spanish machismo . Jamón Jamón, which launched the careers of both Javier Bardem and the 16-year-old Penélope Cruz was a major international success and won the Silver Lion at Venice in 1992 . The latter introduced Penélope Cruz to audiences and launched Javier Bardem as the embodiment of the Spanish stud . "I owe my career to Bigas Luna" , Bardem said in 2001 . Cruz returned in ¨Volavérunt¨ (1999), a film about the relationship between Francisco Goya and the Duchess of Alba . His last film was ¨Di Di Hollywood¨ with Elsa Pataki that failed at box office until his recent death .
9 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed