The subject matter of this film, the tobacco industry, is a subject that makes this a bit dated. Back in 1950, it worked fine up on the big screen but today some might see these folks as mass murderers.
When the movie begins, Brant Royle (Gary Cooper) arrives back in his home town in North Carolina. He's been gone for many years and he's back to settle his uncle's estate. However, the local tobacco czar, the Major (Donald Crisp), has decided that Brant is not welcome and makes it very clear. But, around the same time, a smart inventor (Jeff Corey) approaches Brant with an automated cigarette rolling machine. Soon, Brant is rich and slowly the Major and his old money are being driven into the ground.
At the same time, one woman loves Brant and another completely cold and indifferent. So, naturally he ignores the nice woman (Lauren Bacall) and chases the nasty one...the Major's daughter (Patricia Neal). Why does he want this cold, conniving and annoying woman? Perhaps he wants to do to her what he metaphorically wants to do to the Major...who knows?
Eventually, Brant is able to get everything he wants...wealth, power and the girl. However, in the process he becomes a heartless, nasty jerk-face. He also manages to destroy the good will of his friends and is eventually left an empty man. What's next? See the film.
In many ways, this reminds me of previous films like "Citizen Kane", "Honky Tonk" and "Edward, My Son"...three films about guys who do anything in order to gain power and yet lose everything that's really important in the process. It's a timeless morality tale and the more you watch, the more you are just waiting to see the mighty fall due to their own awfulness and arrogance. Fortunately, it does end a bit differently...there isn't exactly a 'Rosebud' moment.
Overall, an interesting and well acted epic from Warner Brothers. Better than I expected...mostly because occasionally the script caught me by surprise...and in good ways.
By the way, Lauren Bacall's character is described as running a 'boarding house' but she clearly is a madame with a stable full of prostitutes when the film begins. I found these euphemisms a bit funny but understand that this was all done to comply with the rigid Production Code.
When the movie begins, Brant Royle (Gary Cooper) arrives back in his home town in North Carolina. He's been gone for many years and he's back to settle his uncle's estate. However, the local tobacco czar, the Major (Donald Crisp), has decided that Brant is not welcome and makes it very clear. But, around the same time, a smart inventor (Jeff Corey) approaches Brant with an automated cigarette rolling machine. Soon, Brant is rich and slowly the Major and his old money are being driven into the ground.
At the same time, one woman loves Brant and another completely cold and indifferent. So, naturally he ignores the nice woman (Lauren Bacall) and chases the nasty one...the Major's daughter (Patricia Neal). Why does he want this cold, conniving and annoying woman? Perhaps he wants to do to her what he metaphorically wants to do to the Major...who knows?
Eventually, Brant is able to get everything he wants...wealth, power and the girl. However, in the process he becomes a heartless, nasty jerk-face. He also manages to destroy the good will of his friends and is eventually left an empty man. What's next? See the film.
In many ways, this reminds me of previous films like "Citizen Kane", "Honky Tonk" and "Edward, My Son"...three films about guys who do anything in order to gain power and yet lose everything that's really important in the process. It's a timeless morality tale and the more you watch, the more you are just waiting to see the mighty fall due to their own awfulness and arrogance. Fortunately, it does end a bit differently...there isn't exactly a 'Rosebud' moment.
Overall, an interesting and well acted epic from Warner Brothers. Better than I expected...mostly because occasionally the script caught me by surprise...and in good ways.
By the way, Lauren Bacall's character is described as running a 'boarding house' but she clearly is a madame with a stable full of prostitutes when the film begins. I found these euphemisms a bit funny but understand that this was all done to comply with the rigid Production Code.