The involvement of a talented cast (Tyrone Power, Don Ameche, Alice Faye, Ethel Merman, Jack Haley) and director (the undervalued Henry King) and with songs penned by one of the greatest song-writers of all time Irving Berlin were reasons enough to see 'Alexander's Ragtime Band' in the first place.
And on the most part it did not disappoint. Its only primary fault really is the thin-on-the-ground (merely an excuse to string along songs together) and old-hat (with a concept that has been done to death and much better) story, that is even further advantaged by that it's pure sappy hokum, that it's rather perfunctorily paced at the beginning and that the First World War stuff is dispatched rather too quickly, almost like a throwaway.
It is constantly mentioned that one shouldn't see musicals for their stories, but it always depends on how well done everything else is, if other elements are not very well executed or if the story is the only element not so well executed that it sticks out like a sore thumb it is more noticeable and does sort of matter. The latter is the case here.
However, the main reason to see 'Alexander's Ragtime Band' is the music. It is literally an Irving Berlin song-fest and what a glorious one it is too, not hard at all to see why the musical is considered his first big popular hit. Some of the songs are among his most well-known and best, especially "Blue Skies", "Easter Parade" and "Heat Wave".
The title song, "This is the Life", "My Walking Stick" and "All Alone" are similarly wonderful, but really there isn't a bad song in the bunch. They are very nicely staged too, with the most note-worthy being "My Walking Stick", a lot of fun, and the Faye and Merman rendition of "Blue Skies", which admittedly made me tear up.
'Alexander's Ragtime Band' looks good too, being handsomely shot and with elegant costume design. The sets, while not lavish or expansive, are still very easy on the eye. The script crackles, amuses and affects, and despite the perfunctory beginning once the film picks up and it does so very quickly the energy is non-stop. King directs with panache and class.
Power's gorgeously handsome looks, immense likability and magnetic charisma film are so winning here that I was willing to forgive his reasonably limited singing ability and lack of rhythm, things usually not really that forgivable personally when watching musicals. Faye sings beautifully, especially in "Remember" and "All Alone" that are also sung with heartfelt emotion, the camera clearly loves her and she is impossible to resist or dislike.
Ameche completes the love triangle charmingly in the most effortless of ways, and is every bit as likable as Power. Merman steals scenes with her boundless energy and big brassy voice that soars in songs like "My Walking Stick", "Everybody Step" and particularly "Pack Up Your Sins and Go to the Devil" while also softening in "Blue Skies" and "A Pretty Girl is Like a Melody". Haley, in a pre-Tin Man role, dances with energetic athleticism and has a very appealing presence on film.
In summary, with the sole exception of the story a winner all round, with the biggest joy being the songs. Essentially a must watch for Berlin fanatics, because they will be in heaven.
Power, Ameche, Faye and King also worked together in 'In Old Chicago', and while it had a riveting final twenty minutes, with terrific visuals for back then and now, and the cast acquit themselves very well it is nowhere near as good a film. 8/10 Bethany Cox
And on the most part it did not disappoint. Its only primary fault really is the thin-on-the-ground (merely an excuse to string along songs together) and old-hat (with a concept that has been done to death and much better) story, that is even further advantaged by that it's pure sappy hokum, that it's rather perfunctorily paced at the beginning and that the First World War stuff is dispatched rather too quickly, almost like a throwaway.
It is constantly mentioned that one shouldn't see musicals for their stories, but it always depends on how well done everything else is, if other elements are not very well executed or if the story is the only element not so well executed that it sticks out like a sore thumb it is more noticeable and does sort of matter. The latter is the case here.
However, the main reason to see 'Alexander's Ragtime Band' is the music. It is literally an Irving Berlin song-fest and what a glorious one it is too, not hard at all to see why the musical is considered his first big popular hit. Some of the songs are among his most well-known and best, especially "Blue Skies", "Easter Parade" and "Heat Wave".
The title song, "This is the Life", "My Walking Stick" and "All Alone" are similarly wonderful, but really there isn't a bad song in the bunch. They are very nicely staged too, with the most note-worthy being "My Walking Stick", a lot of fun, and the Faye and Merman rendition of "Blue Skies", which admittedly made me tear up.
'Alexander's Ragtime Band' looks good too, being handsomely shot and with elegant costume design. The sets, while not lavish or expansive, are still very easy on the eye. The script crackles, amuses and affects, and despite the perfunctory beginning once the film picks up and it does so very quickly the energy is non-stop. King directs with panache and class.
Power's gorgeously handsome looks, immense likability and magnetic charisma film are so winning here that I was willing to forgive his reasonably limited singing ability and lack of rhythm, things usually not really that forgivable personally when watching musicals. Faye sings beautifully, especially in "Remember" and "All Alone" that are also sung with heartfelt emotion, the camera clearly loves her and she is impossible to resist or dislike.
Ameche completes the love triangle charmingly in the most effortless of ways, and is every bit as likable as Power. Merman steals scenes with her boundless energy and big brassy voice that soars in songs like "My Walking Stick", "Everybody Step" and particularly "Pack Up Your Sins and Go to the Devil" while also softening in "Blue Skies" and "A Pretty Girl is Like a Melody". Haley, in a pre-Tin Man role, dances with energetic athleticism and has a very appealing presence on film.
In summary, with the sole exception of the story a winner all round, with the biggest joy being the songs. Essentially a must watch for Berlin fanatics, because they will be in heaven.
Power, Ameche, Faye and King also worked together in 'In Old Chicago', and while it had a riveting final twenty minutes, with terrific visuals for back then and now, and the cast acquit themselves very well it is nowhere near as good a film. 8/10 Bethany Cox