This Japanese "pink" movie has a sexy but ridiculous premise involving a young girl who is trying to collect 100 "penis prints" (don't ask) from her sexual partners before her arranged marriage. Her "prey" is not famous celebrities or even good-looking or well-endowed guys, but up-and-coming business executives (only in Japan!). She of course has various misadventures. One guy doesn't wait for her to wipe the ink off before excitedly having sex with her. Another guy gives her a "wham-bam-thank-you-ma'am" in a dressing room before she can even get out her paper and ink blotter. The most ridiculous encounter involves a guy who has been "training" to have sex for 55 hours straight (beating my personal record by 54 hours and 45 minutes). Since she is trying to finish collecting 100 prints during a brief trip to Tokyo, you'd think this would at least slow her down a lot! Anyway the ending is quite funny and ironic. There is also a subplot where the ambitiously horny heroine meets a sexy lesbian couple who are plotting to get revenge on another vile male executive who tied up and, uh, shaved one of them.
This movie is a bit unusual among "pink" films in its nascent feminism. This plot wouldn't have been out of place in a Western sex film, but Japanese women were rarely portrayed as being this sexually aggressive back in 1981 (they were much more likely to be hapless rape victims). The fairly positive portrayal of lesbianism and female-on-male revenge and abuse plot are also different and refreshing. The lead Junko Ashanina is a definite asset to this movie, and she shows off her NICEST "asset" right in the opening scene when she bends over to get in a taxi while wearing a short skirt. Between that and the title, I'm surprised more of her paramours in the movie didn't end up giving it to her "from behind". This is pretty sexy and definitely worth watching for those who might prefer their "pink" fare less rough and more feminist.
This movie is a bit unusual among "pink" films in its nascent feminism. This plot wouldn't have been out of place in a Western sex film, but Japanese women were rarely portrayed as being this sexually aggressive back in 1981 (they were much more likely to be hapless rape victims). The fairly positive portrayal of lesbianism and female-on-male revenge and abuse plot are also different and refreshing. The lead Junko Ashanina is a definite asset to this movie, and she shows off her NICEST "asset" right in the opening scene when she bends over to get in a taxi while wearing a short skirt. Between that and the title, I'm surprised more of her paramours in the movie didn't end up giving it to her "from behind". This is pretty sexy and definitely worth watching for those who might prefer their "pink" fare less rough and more feminist.