First and foremost, I love it when a movie fulfills the promise of its own title! Far too often this isn't the case, though. With a title like "Young, Violent, Dangerous" director Romolo Guerrieri and writer Fernando Di Leo generate quite high expectations, but they also definitely deliver them to the max! The anti-heroes in the film are young, they behave incredibly violent and they become gradually more and more dangerous! It's also quite remarkable how a relatively small subgenre of exploitation cinema, like euro-crime, brought forward so many different and versatile streams. Within euro-crime, you have the regular Poliziotteschi movies (tough coppers chasing robbers), mafia sagas, gang war movies and vigilante thrillers. There also exists another and much lesser known stream focusing on rich, spoiled and derailed teenagers that go on a murder rampage for no other apparent reason than kicks. "Terror in Rome/Violence for Kicks", starring Antonio Sabato, is an example of this and "Young, Violent, Dangerous" pretty much falls in the same category as well. The film starts with the beautiful Lea nervously sitting at the desk of grumpy police commissioner Tomas Milian. She comes to report that her boyfriend Lucio, together with his friends Blondie (Mario) and Joe, is about to rob a gas station with fake toy guns. The police prepare an ambush, but the the guns turn out to be very real and Blondie and Joe kill four policemen. Instead of showing remorse, they continue to terrorize the streets of Milan. Lucio is reluctant but he cowardly follows Blondie, who's the leader of the trio, and the completely nihilistic madman Joe. They rob banks, only to threw out the money back in the streets, and invade a crowded supermarket where they even massacre a "befriended" gang in cold blood. When Blondie discovers that Lucio's girlfriend Lea betrayed them to the police, they kidnap her and try to drive out of Milan. The DVD-cover proudly announces that contemporary big star Tomas Milian plays the lead role, but actually his role as the embittered commissioner is rather dullish and familiar. He smokes a lot, gives lectures to the fugitive teenagers' parents about how it's their fault and commands his squads to pull up road blocks, road blocks and more road blocks! The crooks stay well ahead of the police, but the intrigues come to the surface. Lea grows increasingly disgusted by her weak boyfriend Lucio, and Blondie takes advantage of this. Di Leo, the genius behind "Milano Calibro 9" and "La Mala Ordina" which are arguably the two greatest Poliziotteschi movies ever made, once more delivers a fast-paced and action-packed screenplay full of unexpected twists, uncompromising violence and deeply unpleasant characters. In other words, genuine and hard-boiled exploitation cinema like they could only make it in Italy during the seventies! Stefano Patrizi is excellent as the cool and stoic anti-hero. Benjamin Lev's character Joe (or Giovanni) is often quite irritating, especially because of his exaggeratedly moronic laughter, but I do like the idea of an utterly relentless lunatic. "Young, Violent, Dangerous" definitely contains a lot more character development than the average euro- crime thriller, but it's not at the expense of the action and excitement. There's a bit of gratuitous (yay!) nudity, principally provided by beautiful lead actress Eleonora Giorgi, and also – of course – a typically cynical and downbeat climax. Most certainly recommended if you like Italian cinema of the '70s; - and who honestly doesn't?
Review of Young, Violent, Dangerous
