One of the most powerful films I've seen in years, with fearless and authentic lead performances from Josh O'Connor and Alec Secareanu and beautiful, understated writing and direction from Francis Lee. Lee says more in a wordless scene than many filmmakers do in a whole feature.
Joshua James Richards shoots Yorkshire with a cinematic quality rarely seen in British film and operates his hand-held camera with an empathy and intuitiveness that allows him to capture many astonishingly intimate and truthful moments of performance.
It's these telling and tender moments which make up the film - small gestures that carry huge emotional weight. It is testament to Lee's writing and direction, and the performances of his entire cast, that these small moments (a glance, fingertips touching...) carry such a large emotional weight.
Joshua James Richards shoots Yorkshire with a cinematic quality rarely seen in British film and operates his hand-held camera with an empathy and intuitiveness that allows him to capture many astonishingly intimate and truthful moments of performance.
It's these telling and tender moments which make up the film - small gestures that carry huge emotional weight. It is testament to Lee's writing and direction, and the performances of his entire cast, that these small moments (a glance, fingertips touching...) carry such a large emotional weight.