4/10
Slow early talkie murder mystery with Powell at his best
23 May 2017
Warning: Spoilers
Well, this is the first of four Philo Vance detective stories and it plays like a photographed stage play, excruciatingly slow and turgid. One has to "know" poker to understand Philo's technique of unmasking the murderer and the lengths the true murderer goes to to commit the crime are completely implausible, and impossible to achieve as explained here.

All the actors speak and move in slow motion, as was the standard in early talkies, yet Powell is assured and urbane throughout, rightfully making him the star of the film.

Louise Brooks had a further peg in her coffin as a Hollywood star by refusing to re-film her scenes, once the talkie version went into production. She appears only in the first 14 minutes. She is seen only in non-dialogue close ups and mid shots, derived from the silent version. To cover we have a stand-in in shadow or back-to, with her lines spoken by another actress, or her entirely out of the shot with the editor staying on her fellow actor while her dubber's lines are spoken.

Well-done, but obvious. Again, I must say I just don't comprehend the fascination with Brooks. Any actress want-to-be off the Hollywood streets could have played this role and as well. No talent here at all.
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