10/10
The poem that wanted to be a film.
27 May 2017
This movie isn't a movie. It's a poem. When poetry becomes film you get this kind of masterpieces. It's a slow-paced, beautifully shot, heartbreaking love story. It's a touching, human, meaningful film about oblivion. Duras' prose is just unbelievably poetic and Riva's performance as an independent –yet so attached to her lost lover– woman brings the film to a new level of groundbreaking way of storytelling. The dialogues between her and Okada are about things we've all thought and felt every now and then. It takes place in Hiroshima fifteen years after the bomb and I find it brilliant how the movie talks about the global tragedy that was the dropping of an atomic bomb and the personal tragedy that is to lose and try not to forget the man you loved. As it is the script what struck me the most, I personally don't think this is as much as a Resnais' film as it is Duras'. Almost 60 years already. Everyone with a major role in the movie is gone. But they are not dead. They just became "Hiroshima Mon Amour". Might we not forget them.
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