8/10
A chamber drama of horrors in human relationships deteriorating into possessiveness
6 July 2017
Technically a cinematic masterpiece with some excellent acting, particularly on the part of Nicole Séphane, but this Greek drama of a family and some young people living together with relationship complications doesn't give an altogether good taste in your mouth. Why are people usually so mean and cruel in French films? There is very little humanity here, love is not sincere, Elisabeth is callous and cruel and actually evil in her possessiveness, it's like one of the worst novels of Balzac (of whom Charlotte Brontë complained that he always gave her such a bad taste in her mouth), and this lack of humanity gives this masterpiece an ugly touch of almost inhumanity. Its brilliance fades into the shadows of the meaninglessness of its cruelty and pettiness, they don't do much else than quarrel and fight throughout the movie, and it all seems so pointless. Did Jean Cocteau have any meaning with writing this play except to produce a technically perfect analysis of how young people perish in the destructiveness of their relationships? The language, the photo, the acting, the music, everything is perfect but is consumed by its own pettiness in a dwindling spiral of human claustrophobia.
3 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed