This has got to be the worst ensemble of characters I've ever seen in a movie. Mean, rude, self-centered, obnoxious, loud, and overall unpleasant to watch, THE WE AND THE I tries to humanize the worst possible people that could ever get on this bus, but only winds up making me hate them more.
To it's credit, there's some things I like. Michel Gondry remains our most creative filmmaker right now and it's admirable to have his style applied to an urban ghetto setting. Plus, he does great work with mixing two settings to blend two different scenes. There's bits of his creative and whimsical charm sprinkled on this turd, but it helps elevate.
Sadly, he's still suffers from keeping it all in coherent fashion, and it's even more of an ailment here than anywhere else. The audio is muted by horribly mixed background noise, the dialogue is aimless, there's barely a plot or anything interesting to replace said plot, the acting is terrible, and a lot of subplots go absolutely nowhere.
But the biggest problem without question is the ducking characters. I hate every single one of them. Annoying, selfish, and at times dangerously close to abusive, I wanted to blow up this whole bus with all of these bastards with it. Not helping the fact that the film resorts to an unearned finale that makes them learn about life via a phony prose about life. It's deafeningly trite and cheap.
Gondry must be commended for this new angle in his resume, be once again he continues to suck at storytelling. His so-called "veritee" angle of acting directing only highlights how bad his actors are, and the whole thing just reeks of the worst possible people you could make a movie out of.
Oh, how I wish for another Charlie Kaufman collab.
To it's credit, there's some things I like. Michel Gondry remains our most creative filmmaker right now and it's admirable to have his style applied to an urban ghetto setting. Plus, he does great work with mixing two settings to blend two different scenes. There's bits of his creative and whimsical charm sprinkled on this turd, but it helps elevate.
Sadly, he's still suffers from keeping it all in coherent fashion, and it's even more of an ailment here than anywhere else. The audio is muted by horribly mixed background noise, the dialogue is aimless, there's barely a plot or anything interesting to replace said plot, the acting is terrible, and a lot of subplots go absolutely nowhere.
But the biggest problem without question is the ducking characters. I hate every single one of them. Annoying, selfish, and at times dangerously close to abusive, I wanted to blow up this whole bus with all of these bastards with it. Not helping the fact that the film resorts to an unearned finale that makes them learn about life via a phony prose about life. It's deafeningly trite and cheap.
Gondry must be commended for this new angle in his resume, be once again he continues to suck at storytelling. His so-called "veritee" angle of acting directing only highlights how bad his actors are, and the whole thing just reeks of the worst possible people you could make a movie out of.
Oh, how I wish for another Charlie Kaufman collab.