Have always loved Doris Day since forever and would see anything with her in it. Not all her films were great, a few of them not even good, but Day was an incredibly talented performer, was always watchable and always gave her all even in her lesser films.
Despite being her lowest rated film (as of now) on IMDb, critical reception not being kind to it at the time and even Day herself (Richard Harris apparently too) disliking it, while a long way from a flawless film and the weaker of the two films Day did with director Frank Tashlin (the other being 'The Glass Bottom Boat), 'Caprice' to me wasn't that bad. Again from personal opinion, it is not Day's worst film, that distinction goes to 'Where Were You When the Lights Went Out?' and 'Lucky Me' and 'Starlift' are not far behind. She has certainly done much better, especially 'Calamity Jane' and 'Pillow Talk' for films and both of those and 'Love Me or Leave Me' for performances.
'Caprice' certainly could have been much better. Its most problematic element is the often hopelessly convoluted (things get so complicated at times figuring out what was going on was not always easy) and daft story that was in more need of excitement and suspense overall. The script suffers from the same problems, and, while there are some undeniably funny and thrilling moments, tonally it felt muddled. It didn't seem to know whether it wanted to be a comedy or spy/espionage thriller, instead trying to do both with varying results, and when to be. The comedic elements fare much better, with some witty dialogue and some wildly entertaining set pieces, while the thriller elements only work in spurts with the lack of suspense and the convolution working against it.
Richard Harris is a rather ill-suited leading man. Very like Richard Widmark in 'The Tunnel of Love', Harris does step out of his comfort zone, which is laudable, but there is a real sense that he was completely out of his depth, to say that comedy isn't his forte is being generous. He plays the role too heavily and broadly instead of the lightness of touch and urbane charm needed here. It also was rather hard to take him seriously with the blue eye shadow and he visibly looked embarrassed wearing it, it just looked strange even in this particular context.
On the other hand, Day is a warm and natural presence and she shows a gift for a deft balance of comedy and drama, her chemistry with Harris had some nice moments. There is effortless support from Ray Walston, Edward Mulhane and Michael J. Pollard, and Tashlin's direction is both restrained and witty on the most part.
'Caprice' looks great too, apart from some cheap multi-layered gauze, the eye shadow and some obvious back projection. The cinematography is one of the film's biggest merits, full of ravishing colours and an atmosphere that one wishes was matched in the story. Production design is similarly audacious, and the clothes are like their own characters (worth seeing 'Caprice' for them alone).
Music score is quirky and slinky while also with an understated ominous touch, also loved the title song and it is beautifully sung by Day. As said, 'Caprice' does sport some fine moments. They are the chase sequence in the apartment complex that's entertaining and thrilling, the hilarious elevator scene (genius comic timing by Day) and especially the delightful scene in the theatre. The film could have done with more kick sometimes but was never what one would call "boring" (highlighted seeing as it has become one of my most hated words to its overuse and how it's constantly abused on the internet).
In summary, not great (couldn't help thinking of 'Charade', also with a mix of comedy and thriller-mystery, and how much better that was) but a long way from a disaster. 6/10 Bethany Cox
Despite being her lowest rated film (as of now) on IMDb, critical reception not being kind to it at the time and even Day herself (Richard Harris apparently too) disliking it, while a long way from a flawless film and the weaker of the two films Day did with director Frank Tashlin (the other being 'The Glass Bottom Boat), 'Caprice' to me wasn't that bad. Again from personal opinion, it is not Day's worst film, that distinction goes to 'Where Were You When the Lights Went Out?' and 'Lucky Me' and 'Starlift' are not far behind. She has certainly done much better, especially 'Calamity Jane' and 'Pillow Talk' for films and both of those and 'Love Me or Leave Me' for performances.
'Caprice' certainly could have been much better. Its most problematic element is the often hopelessly convoluted (things get so complicated at times figuring out what was going on was not always easy) and daft story that was in more need of excitement and suspense overall. The script suffers from the same problems, and, while there are some undeniably funny and thrilling moments, tonally it felt muddled. It didn't seem to know whether it wanted to be a comedy or spy/espionage thriller, instead trying to do both with varying results, and when to be. The comedic elements fare much better, with some witty dialogue and some wildly entertaining set pieces, while the thriller elements only work in spurts with the lack of suspense and the convolution working against it.
Richard Harris is a rather ill-suited leading man. Very like Richard Widmark in 'The Tunnel of Love', Harris does step out of his comfort zone, which is laudable, but there is a real sense that he was completely out of his depth, to say that comedy isn't his forte is being generous. He plays the role too heavily and broadly instead of the lightness of touch and urbane charm needed here. It also was rather hard to take him seriously with the blue eye shadow and he visibly looked embarrassed wearing it, it just looked strange even in this particular context.
On the other hand, Day is a warm and natural presence and she shows a gift for a deft balance of comedy and drama, her chemistry with Harris had some nice moments. There is effortless support from Ray Walston, Edward Mulhane and Michael J. Pollard, and Tashlin's direction is both restrained and witty on the most part.
'Caprice' looks great too, apart from some cheap multi-layered gauze, the eye shadow and some obvious back projection. The cinematography is one of the film's biggest merits, full of ravishing colours and an atmosphere that one wishes was matched in the story. Production design is similarly audacious, and the clothes are like their own characters (worth seeing 'Caprice' for them alone).
Music score is quirky and slinky while also with an understated ominous touch, also loved the title song and it is beautifully sung by Day. As said, 'Caprice' does sport some fine moments. They are the chase sequence in the apartment complex that's entertaining and thrilling, the hilarious elevator scene (genius comic timing by Day) and especially the delightful scene in the theatre. The film could have done with more kick sometimes but was never what one would call "boring" (highlighted seeing as it has become one of my most hated words to its overuse and how it's constantly abused on the internet).
In summary, not great (couldn't help thinking of 'Charade', also with a mix of comedy and thriller-mystery, and how much better that was) but a long way from a disaster. 6/10 Bethany Cox