Copyright 1944 by Loew's Inc. A Metro-Goldwyn-Mayer Picture. New York opening: 4 May 1945. Official release date: 20 December 1944. 80 minutes.
SYNOPSIS: On the trail of a train hold-up gang, an investigator (James Craig) finds himself caught in the middle of a feud between the matriarch of a pioneer family (Marjorie Main) and a crooked sheriff (Barton MacLane). Matters are further complicated when he falls in love with a former employee of the sheriff (Donna Reed) who has sought refuge with the family he suspects is behind the robbery.
NOTES: W.S. Van Dyke was originally assigned to the movie but fell ill and was replaced by newly signed Metro-Goldwyn-Mayer contractee Andrew Marton (who had previously directed movies in Germany and England). It turned out to be Van Dyke's final fling behind the camera. He died on 5 February 1943. This movie was also one of the last film appearances of Noah Beery (senior) who has a small, unimportant role as a skinflint storekeeper.
COMMENT:: An appealing little western, despite a hammy performance from Marjorie Main and the lumpish presence of James Craig. After a very lively action start, the movie goes backwards with a long and boring long-take monologue from Miss Main (doubtless Van Dyke's contribution), but then proceeds to make up for lost ground with the introduction of the agreeable duo, Henry "Harry" Morgan and Paul Langton. The talent line-up is soon completed by delightfully villainous Barton MacLane and his equally enjoyable thick-head heavy, Morris Ankrum.
And then when Donna Reed hits her stride and gifted (if little- known) character actor, John Philliber, is thrust center-stage, we are truly in "B"-movie heaven. The hero's dilemma seems real enough as we plunge steadily towards the expected full-action climax with its clever resolution that anticipates several later films made with bigger budgets and lots more publicity.
Director Andrew Marton not only keeps the action flowing fast, but fills the screen with movement. I am surprised that this effort didn't bring him to the immediate notice of studio executives. His talent seems to have been under-utilized by Metro-Goldwyn-Mayer, despite his later employment (with billing) as a second unit director on "King Solomon's Mines" and "Ben Hur".
SYNOPSIS: On the trail of a train hold-up gang, an investigator (James Craig) finds himself caught in the middle of a feud between the matriarch of a pioneer family (Marjorie Main) and a crooked sheriff (Barton MacLane). Matters are further complicated when he falls in love with a former employee of the sheriff (Donna Reed) who has sought refuge with the family he suspects is behind the robbery.
NOTES: W.S. Van Dyke was originally assigned to the movie but fell ill and was replaced by newly signed Metro-Goldwyn-Mayer contractee Andrew Marton (who had previously directed movies in Germany and England). It turned out to be Van Dyke's final fling behind the camera. He died on 5 February 1943. This movie was also one of the last film appearances of Noah Beery (senior) who has a small, unimportant role as a skinflint storekeeper.
COMMENT:: An appealing little western, despite a hammy performance from Marjorie Main and the lumpish presence of James Craig. After a very lively action start, the movie goes backwards with a long and boring long-take monologue from Miss Main (doubtless Van Dyke's contribution), but then proceeds to make up for lost ground with the introduction of the agreeable duo, Henry "Harry" Morgan and Paul Langton. The talent line-up is soon completed by delightfully villainous Barton MacLane and his equally enjoyable thick-head heavy, Morris Ankrum.
And then when Donna Reed hits her stride and gifted (if little- known) character actor, John Philliber, is thrust center-stage, we are truly in "B"-movie heaven. The hero's dilemma seems real enough as we plunge steadily towards the expected full-action climax with its clever resolution that anticipates several later films made with bigger budgets and lots more publicity.
Director Andrew Marton not only keeps the action flowing fast, but fills the screen with movement. I am surprised that this effort didn't bring him to the immediate notice of studio executives. His talent seems to have been under-utilized by Metro-Goldwyn-Mayer, despite his later employment (with billing) as a second unit director on "King Solomon's Mines" and "Ben Hur".