A curse has been killing the men of Hammond Hall for centuries on cold nights. In 1900, Helga Hammond (Heather Angel) tells the butler that curses don't exist. There are screams from outside the mansion. Helga orders a carriage to be brought round for her while the servants wring their hands and worry. So begins this low budget film from 20th-Century Fox that moves at breakneck speed trying to get in all the plot in just over an hour's running time.
The movie is filled with behind-the-scenes talent that was two years away from peaking. Director John Brahm would hit his stride in 1944-45, when he directed "Guest In The House, "The Lodger (both 1944) and "Hangover Square" (1945) consecutively. Composer David Raksin, best known for the "Theme from "Laura" (1944) scored one of his first films here. Lucien Ballard, who did the atmospheric, skewed photography that plays with the viewers' sense of proportion and reminded me of "The Cabinet of Dr. Caligari" (1919), filmed both "Laura" and "The Lodger" (both 1944). The sets were designed by Richard Day and Lewis Creber.
"The Undying Monster" is an marvelous "B" movie that should be better known.
The movie is filled with behind-the-scenes talent that was two years away from peaking. Director John Brahm would hit his stride in 1944-45, when he directed "Guest In The House, "The Lodger (both 1944) and "Hangover Square" (1945) consecutively. Composer David Raksin, best known for the "Theme from "Laura" (1944) scored one of his first films here. Lucien Ballard, who did the atmospheric, skewed photography that plays with the viewers' sense of proportion and reminded me of "The Cabinet of Dr. Caligari" (1919), filmed both "Laura" and "The Lodger" (both 1944). The sets were designed by Richard Day and Lewis Creber.
"The Undying Monster" is an marvelous "B" movie that should be better known.